Directed by
| Mark Egerton | ||
Writing Credits
| Mark Egerton | ... | (screenplay) |
| Bob Ellis | ... | (based on a storyline, characters and screenplay by) & |
| Anne Brooksbank | ... | (based on a storyline, characters and screenplay by) |
| Joyce Dingwell | ... | (novel) |
Cast (in credits order) verified as complete
| Terence Donovan | ... | Timber Marlow | |
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Susan Lyons | ... | Diana Venness |
| Harold Hopkins | ... | Jack Farrell | |
| Steve Bisley | ... | Clem Mathieson | |
| Martin Vaughan | ... | Ben | |
| Dorothy Alison | ... | Mrs. Sullivan | |
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Isabelle Anderson | ... | Helen Marlow |
| Steven Grives | ... | Kevin | |
| Emil Minty | ... | Andy Marlow | |
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Nikki Gemmell | ... | Kathy Marlow |
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Mark Kounnas | ... | Peter Marlow |
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Les Foxcroft | ... | Woody Gunner |
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Michael Long | ... | Paul Marlow |
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Ray Marshall | ... | Man in Train |
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Kati Edwards | ... | Lady in Train |
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Bill McCluskey | ... | Tall Soldier (as Bill McClusky) |
Produced by
| Mark Egerton | ... | producer |
| Cara Farnes | ... | associate producer |
| Marj Pearson | ... | producer |
Music by
| John Stuart | ||
Cinematography by
| Geoff Burton | ||
Editing by
| Sara Bennett | ||
Casting By
| Alison Barrett | ||
Production Design by
| Graham 'Grace' Walker | ||
Art Direction by
| Steve Amezdroz | ... | (as Stephen Amezdroz) |
Costume Design by
| David Rowe | ||
Makeup Department
| Lesley Lamont-Fisher | ... | hair stylist / makeup artist |
| Leanne Williams | ... | extra hairdresser |
Production Management
| Su Armstrong | ... | production supervisor |
| Peter Gailey | ... | unit manager |
Second Unit Director or Assistant Director
| Michael Falloon | ... | first assistant director |
| Mark Lamprell | ... | third assistant director |
| Phil Rich | ... | second assistant director |
Art Department
| Anni Browning | ... | props buyer |
| Tony Hunt | ... | stand-by props |
| Shane Walker | ... | art department runner |
Sound Department
| Anne Breslin | ... | sound editor |
| Gethin Creagh | ... | sound mixer |
| Peter Foster | ... | sound editor |
| Emma Hay | ... | sound editor |
| Paul Maxwell | ... | sound editor |
| Martin Oswin | ... | second mixer |
| Mark J. Wasiutak | ... | boom operator |
| Gary Wilkins | ... | sound recordist |
Special Effects by
| David Hardie | ... | special effects |
| Chris Murray | ... | special effects |
Visual Effects by
| Roger Cowland | ... | visual effects |
Stunts
| Peter West | ... | stunt coordinator |
Camera and Electrical Department
| David Burr | ... | photography: underwater sequences |
| David Foreman | ... | focus puller / photography: second unit |
| Steve Geddes | ... | assistant grip |
| Gillian Leahy | ... | clapper loader |
| Steve Mason | ... | focus puller |
| Ken Moffatt | ... | best boy |
| Robin Morgan | ... | key grip |
| Graham Rutherford | ... | gaffer |
| Graeme Shelton | ... | grip |
| Chic Stringer | ... | still photographer |
| David Williamson | ... | camera operator |
Casting Department
| Klay Lamprell | ... | extras casting |
Costume and Wardrobe Department
| Penny Gordon | ... | wardrobe assistant |
| Jenny Miles | ... | stand-by wardrobe |
Editorial Department
| Arthur Cambridge | ... | color grading |
| Bill Gooley | ... | lab liaison |
| Richard Hindley | ... | additional editor |
| Lynne Williams | ... | assistant editor |
Location Management
| Phil Rich | ... | location manager |
Music Department
| Christo Curtis | ... | score recording & mixing |
| Robin Gray | ... | Scoring Engineer |
Script and Continuity Department
| Daphne Paris | ... | continuity |
Additional Crew
| Fran Burke | ... | titles |
| Carol Hughes | ... | production secretary |
| Peter Sjoquist | ... | production accountant |
