
Still of the Night (1982)
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- PG
- 1h 33min
- Crime, Drama
- 19 Nov 1982 (USA)
- Movie
- 2 nominations.
- See more »
Photos and Videos
Cast verified as complete
Roy Scheider | ... |
Sam Rice
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Meryl Streep | ... |
Brooke Reynolds
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Jessica Tandy | ... |
Grace Rice
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Joe Grifasi | ... |
Joseph Vitucci
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Sara Botsford | ... |
Gail Phillips
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Josef Sommer | ... |
George Bynum
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Frederikke Borge | ... |
Heather Wilson
(as Rikke Borge)
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Irving Metzman | ... |
Murray Gordon
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Larry Joshua | ... |
Mugger
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Tom Norton | ... |
Auctioneer
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Richmond Hoxie | ... |
Mr. Harris
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Hyon Cho | ... |
Mr. Chang
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Danielle Cusson | ... |
Girl
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John Bentley | ... |
Night Watchman
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George A. Tooks | ... |
Elevator Operator
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Sigrunn Omark | ... |
Receptionist
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Randy Jurgensen | ... |
Car Thief
(as Randy Jurgenson)
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Palmer Deane | ... |
Auction Spotter
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William Major | ... |
Auction Spotter
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Joseph Priestly | ... |
Auction Spotter
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Will Rose | ... |
Auction Spotter
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Arne Glimcher | ... |
Auction Bidder
(as Arnold Glimcher)
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Jeffrey Hoffeld | ... |
Auction Bidder
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Linda LeRoy Janklow | ... |
Auction Bidder
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Elinor Klein | ... |
Auction Bidder
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Susan Patricof | ... |
Auction Bidder
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Rest of cast listed alphabetically: | |||
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Jack V. Fogarty | ... |
Auction Bidder (uncredited)
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Ann Kinner | ... |
Art student at elevator, Crispin's auction house (uncredited)
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Mike Tremont | ... |
Auction Bidder (uncredited)
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Directed by
Robert Benton |
Written by
Robert Benton | ... | (screenplay) |
David Newman | ... | (story) and |
Robert Benton | ... | (story) |
Produced by
Arlene Donovan | ... | producer |
Wolfgang Glattes | ... | associate producer |
Kenneth Utt | ... | associate producer |
Music by
John Kander |
Cinematography by
Néstor Almendros | ... | director of photography (as Nestor Almendros) |
Editing by
Gerald B. Greenberg | ... | (as Jerry Greenberg) |
Bill Pankow |
Editorial Department
Jeanne D'Antoni | ... | editing room assistant |
Wende Phifer Mate | ... | assistant editor (as Wende Phifer) |
Casting By
Juliet Taylor |
Production Design by
Mel Bourne |
Art Direction by
Michael Molly |
Set Decoration by
Steven J. Jordan | ... | (as Steve Jordan) |
Costume Design by
Albert Wolsky |
Makeup Department
Verne Caruso | ... | hair stylist |
J. Roy Helland | ... | hair supervisor / makeup supervisor |
Frances A. Kolar | ... | makeup artist (as Frances Kolor) |
Production Management
Larry Rapaport | ... | assistant unit production manager |
Kenneth Utt | ... | production manager |
Second Unit Director or Assistant Director
Tony Gittelson | ... | second assistant director (as Anthony Gittelson) |
Wolfgang Glattes | ... | first assistant director |
Carol Nast | ... | dga trainee |
Art Department
James Halligan | ... | construction grip (as Jim Halligan) |
Ann Miller | ... | property master |
Cosmo Sorice | ... | scenic artist |
James Sorice | ... | scenic artist (as Jim Sorice) |
Anthony Zappia | ... | chief carpenter |
Sound Department
Edward Beyer | ... | supervising sound editor (as Ed Beyer) |
Nathan Boxer | ... | production sound mixer |
Janet Conn | ... | assistant sound editor |
Lee Dichter | ... | re-recording mixer |
Harriet Fidlow | ... | dubbing editor (as Harriet Glickstein Fidlow) |
Bruce Kitzmeyer | ... | assistant sound editor |
Joan Metzger | ... | assistant sound editor |
Harry Peck Bolles | ... | assistant sound editor |
Sanford Rackow | ... | sound editor (as Sandy Rackow) |
Mark Rathaus | ... | assistant sound editor |
David Ray | ... | sound editor |
Maurice Schell | ... | sound editor |
Marc S. Shaw | ... | assistant sound editor |
Rita Stern | ... | assistant sound editor |
Maurice Schell | ... | foley artist (uncredited) |
Visual Effects by
Jeffrey Kleiser | ... | optical effects: EFX Unlimited, New York (as J. Kleiser) |
Stunts
Lisa Dalton | ... | stunt double: Sara Botsford (uncredited) |
Victoria Vanderkloot | ... | stunt coordinator (uncredited) |
Camera and Electrical Department
Joe Coffey | ... | collaborating director of photography |
John W. DeBlau | ... | gaffer (as John DeBlau) |
Bill Gerardo | ... | second assistant camera |
Vinnie Gerardo | ... | first assistant camera |
Dan Lerner | ... | camera operator |
Muky | ... | still photographer |
Dan Neroda | ... | video technician (as Danny Neroda) |
Tom Prate | ... | key grip (as Tom Prate Jr.) |
Lance Shepherd | ... | electrician (uncredited) |
Casting Department
Sylvia Fay | ... | extras casting |
Costume and Wardrobe Department
Yvonne David | ... | costumer |
Max Soloman | ... | costumer |
Mark Burchard | ... | wardrobe (uncredited) |
Location Management
Don McKeever | ... | location coordinator |
Marcus Viscidi | ... | location coordinator |
Music Department
Louis Cerborino | ... | music editor (as Lou Cerborino) |
Jonathan Elias | ... | composer: electronic music |
Michael Gibson | ... | orchestrator |
John Monaco | ... | music coordinator |
Don Pippin | ... | conductor |
Script and Continuity Department
Renata Stoia | ... | script supervisor |
Transportation Department
William Curry | ... | transportation captain |
Patrick Hogan | ... | driver (uncredited) |
Additional Crew
Marion Billings | ... | publicist |
Grace Blake | ... | production office coordinator |
David Blumenthal | ... | title designer |
Ann Guerin | ... | unit publicist (as Anne Guerin) |
Lois Lipfield | ... | assistant: Mr. Benton and Ms. Donovan |
Thomas E. Norton | ... | technical advisor |
Margaret Roiphe | ... | auditor |
Steve Rose | ... | stage manager |
Suzanne E. Vaucher | ... | assistant auditor |
Henry Wolf | ... | title designer |
Production Companies
Distributors
- MGM/UA Entertainment Company (1982) (United States) (theatrical)
- United International Pictures (UIP) (1983) (United Kingdom) (theatrical)
- Kommunenes Filmcentral (KF) (1983) (Norway) (theatrical)
- Nova Film (1983) (Netherlands) (theatrical)
- United Artists Corporation (1983) (India) (theatrical)
- United International Pictures (UIP) (1983) (West Germany) (theatrical)
- United International Pictures (UIP) (1983) (Sweden) (theatrical)
- United International Pictures (1983) (Argentina) (theatrical)
- Cinema International Corporation (CIC) (1984) (Japan) (theatrical)
- Argentina Video Home (1984) (Argentina) (VHS)
- Arbeitsgemeinschaft der öffentlich-rechtlichen Rundfunkanstalten der Bundesrepublik Deutschland (ARD) (1985) (West Germany) (tv)
- CBS (1985) (United States) (tv)
- FilmNet (1985) (Netherlands) (tv) (as ATN/FilmNet)
- Belgische Radio en Televisie (BRT) (1986) (Belgium) (tv) (BRT1)
- Tokyo Broadcasting System (TBS) (1987) (Japan) (tv) (dubbed version)
- Warner Home Video (1987) (Japan) (VHS)
- MGM/UA Home Entertainment (1988) (United States) (VHS)
- Nederlandse Christelijke Radio-Vereniging (NCRV) (1989) (Netherlands) (tv)
- Warner Home Video (1991) (Germany) (VHS)
- Warner Home Video (1996) (United States) (VHS)
- SET India (2007) (India) (tv) (Chennai)
- MGM Networks (2008) (India) (tv) (Chennai)
- NHK-BS2 (2001) (Japan) (tv)
- EuroVideo (2011) (Germany) (DVD)
- Fox Video Japan (2013) (Japan) (DVD)
- Kino Lorber (2015) (United States) (Blu-ray) (DVD)
- HBO Max (2020) (United States) (video) (VOD)
- NSM Records (2020) (Germany) (Blu-ray)
- NSM Records (2020) (Germany) (DVD)
- United International Pictures (UIP) (1983) (Australia) (theatrical)
- Quality Films (2004) (Mexico) (DVD)
- Warner Home Vídeo (Brazil) (video)
Special Effects
Other Companies
Storyline
Plot Summary |
George Bynum, a patient of Manhattan psychiatrist Dr. Sam Rice, is brutally murdered. Soon afterward, Dr. Rice is visited by Bynum's co-worker and mistress Brooke Reynolds and by the investigating officer Detective Vitucci. As Dr. Rice reviews the case notes on his sessions with Bynum, he starts his own investigation. At the same time, he finds himself falling for enigmatic blonde Brooke, despite her increasingly suspicious behavior. The closer Rice comes to the truth, the more he puts his own life in danger... Written by L. Hamre |
Plot Keywords | |
Taglines | If looks could kill... See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Budget | $10,000,000 (estimated) |
Opening Weekend United States | $113,980, 21 Nov 1982 |
Did You Know?
Trivia | After making this film, writer/director Robert Benton said that he regretted the emphasis placed by critics upon its being a Alfred Hitchcock imitation. Benton said that he had intended it to be more a modern equivalent of the 1940s wave of noir thrillers about psychoanalysis (a group of films of which Hitchcock's Spellbound (1945) is the most famous example, but not the only one) and that the directors he was actively using as direct influences on him were Jacques Tourneur and Fritz Lang, with the script being heavily influenced by Lang's The Woman in the Window (1944). Benton summed up the situation saying, "This (genre) territory is so staked out by Hitchcock that there is nothing you can do that won't remind someone of him." See more » |
Goofs | As the woman with the scarf on her head first walks into Central Park the heels on her shoes are a thick, low to mid height style but as she continues to walk through the park the heels on her shoes change to a higher, thinner style heel. See more » |
Movie Connections | Referenced in The Last Horror Film (1982). See more » |
Quotes |
Doctor Sam Rice:
Now listen to me! On account of you, I'm an accessory to something. I don't know what! I'm withholding evidence. I'm obstructing justice. I'm gonna get my license revoked if I'm not thrown into jail first. And on top of that, I've just spent fifteen thousand dollars for a painting I don't even like! See more » |