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The Funhouse (1981)

R | | Horror | 13 March 1981 (USA)
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Four teenage friends spend the night in a carnival funhouse and are stalked by a deformed man in a Frankenstein mask.

Director:

Tobe Hooper

Writer:

Lawrence J. Block (as Larry Block)
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Cast

Cast overview, first billed only:
Elizabeth Berridge ... Amy Harper
Shawn Carson ... Joey Harper
Jeanne Austin ... Mrs. Harper
Jack McDermott ... Mr. Harper
Cooper Huckabee ... Buzz Dawson
Largo Woodruff ... Liz Duncan
Miles Chapin ... Richie Atterbury
David Carson David Carson ... Geek
Sonia Zomina ... Bag Lady
Ralph Morino Ralph Morino ... Truck Driver (as Ralph Marino)
Kevin Conway ... Freak Show Barker / Strip Show Barker / Funhouse Barker
Herb Robins ... Carnival Manager
Mona Agar Mona Agar ... Strip Show Dancer
Wayne Doba ... The Monster
William Finley ... Marco the Magnificent
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Storyline

The teenager Amy Harper dates Buzz Dawson for the first time and they go to the carnival with their friends Richie and Liz. They smoke grass and have good-time visiting the attractions including a side show with freak animals. The silly Richie suggests the group to spend the night in the Funhouse for fun. During the night, they witness the murder of the fortune teller Madame Zena by a man wearing a mask of Frankenstein from an opening in the ceiling of a room. They decide to leave the fun house but they find all the exits locked. Meanwhile Richie sneaks in the room and steals the money of the manager of the place. The masked man returns with his father and owner of the fun house to show the corpse of Madame Zena; when the man realizes that he had been robbed, he presses his son that removes the mask and shows his horrible face. Richie startles and drops his lighter in the room. The owner asks his freak son to chase the thieves and eyewitnesses in a night of terror for the teenagers. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Pay to get in. PRAY to get out. See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

13 March 1981 (USA) See more »

Also Known As:

Carnival of Terror See more »

Filming Locations:

Dade County, Florida, USA See more »

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Box Office

Opening Weekend USA:

$2,765,456, 15 March 1981, Wide Release

Gross USA:

$7,886,857
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut) | (video)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Some of the props in Joey's bedroom were owned by Shari Lewis of "Lamb Chop" fame (such as the winking ventriloquist dummy) and were obtainable because co-executive producer Mace Neufeld was a friend of hers. See more »

Goofs

Amy and Buzz leave her house in a 1966 Pontiac LeMans (obvious because of the grill and chrome badging behind headlight). The deep recess in the top of the c-pillar indicates that it is a convertible. Moments later when they are going down the road and even more clearly in the carnival parking lot when they are parking, it is a 1967 Pontiac GTO with a black vinyl top (notice the different grill insert and blinkers, as well as missing chrome badges on fender). See more »

Quotes

Liz Duncan: I hate people who preach. Especially in bathrooms.
See more »

Alternate Versions

Although the 1987 UK CIC video release was uncut in terms of violence it ran around 3 minutes shorter than the cinema version, and the differences appeared to be some dialogue and narrative edits. It contained the scenes of reefer smoking which were missing from some later Film Four showings. See more »

Connections

Referenced in Storm (2005) See more »

Soundtracks

Music from_Bride of Frankenstein (1935) _
(uncredited)
Composed by Franz Waxman
See more »

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User Reviews

 
As Nightmares Go, This One's About As Terrifying As It Gets...
5 December 2008 | by cchaseSee all my reviews

Up until THE FUNHOUSE, Tobe Hooper had only come pretty close to recapturing the relentless and ruthlessly nightmarish feel of the classic that catapulted him to fame, THE Texas CHAINSAW MASSACRE. TCM 2 came closer than most of his films, but it traded in psychological terror for buckets of blood 'n' guts, where the first TCM had very little.

THE FUNHOUSE goes back to Hooper's roots, trading in the gore for playing with your nerves like Jimmy Page playing guitar. Traveling carnivals have always had a sinister, menacing undertone to them - that's part of what makes them so attractive - and Hooper, with a smart assist from Larry Block's script, takes that queasy unease and turns it up to '11', so that when the true horror is revealed, it's intensified that much more.

Four friends on a double date (Elizabeth Berridge, Miles Chapin, Cooper Huckabee and Largo Woodruff) decide to hole up in the Funhouse of a traveling carnival just outside of town way past closing time, just for kicks. It's a weird place that gives off a freaky vibe, but they don't come to realize just how freaky, until they see something that puts all of their lives in danger, and realize to their horror that not all the freaks in the show are fake...or at all "fun".

I don't want to spoil the surprises, but as is his habit, Hooper front-loads the movie with some acting vets, including genre favorites William Finley and Sylvia Miles. Plus the great Kevin Conway plays a pivotal role in bringing about the terror and death that the seemingly endless night holds for the trapped teens.

Anyone expecting Hooper and company to just pour on the gore is bound to be disappointed. THE FUNHOUSE is more about empathy and atmosphere...I mean, who HASN'T been through a funhouse like this at some time in their lives? The more you can put yourself in the place of the main characters, the spookier the film will be for you - especially in the third act.

Kudos to everybody for putting in some damn good performances, but especially to Berridge and to Wayne Doba who gives us a monster that is by turns pathetic, disgusting, pitiful and horrifying. And for John Beal, who created a score that plays with your nerves just as powerfully as the visuals do.

This is one of those best viewed alone, with the sound up and all the lights out...And don't worry - if you screech like a little schoolgirl at some parts, it'll be our secret, I promise...(hehheh)


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