En Italie, au cours de la Seconde Guerre mondiale, quatre libertins fascistes rassemblent neuf jeunes hommes et jeunes filles et les soumettent à cent vingt jours de torture physique, mental... Tout lireEn Italie, au cours de la Seconde Guerre mondiale, quatre libertins fascistes rassemblent neuf jeunes hommes et jeunes filles et les soumettent à cent vingt jours de torture physique, mentale et sexuelle.En Italie, au cours de la Seconde Guerre mondiale, quatre libertins fascistes rassemblent neuf jeunes hommes et jeunes filles et les soumettent à cent vingt jours de torture physique, mentale et sexuelle.
- Prix
- 1 victoire
Uberto Paolo Quintavalle
- Eccellenza
- (as Umberto P. Quintavalle)
Hélène Surgère
- Signora Vaccari
- (as Helene Surgere)
Histoire
Le saviez-vous
- AnecdotesSalò is a town in northern Italy which Benito Mussolini's Fascist government effectively made their capital from 1943 until they fell from power in 1945.
- GaffesWhen the Duke kisses several victims during Sergio and Renata's wedding, some victims and Ezio begin to laugh, off the character.
- Générique farfeluEssential Bibliography: Roland Barthes: 'Sade, Fourier, Loyola' (Editions du Seuil); Maurice Blanchot: "Lautréamont et Sade' (Editions de Minuit; in Italy Dedalo Libri); Simone de Beauvoir: 'Faut-il brûler Sade' (Editions Gaimard); Pierre Klossowski: 'Sade mon prochain, le philosophe scélérat' (Editions du Seuil; in Italy SugarCo Edizioni); Philippe Sollers: 'L'écriture et l'experience des limites' (Editions du Seuil)
- Autres versionsThe film was rejected for cinema by the BBFC in 1976 and a private showing of the uncut version at the Old Compton Cinema Club in London's Soho resulted in a police raid and confiscation of the movie. A heavily edited version - minus 6 minutes of footage including scenes of torture, homosexuality and excrement eating, and including a 4 minute prologue describing the history of the town of Salo - was later prepared by UK censor James Ferman for club showings. The film was finally passed completely uncut for cinema and video in the UK in December 2000.
- ConnexionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- Bandes originalesPrelude in C minor
(uncredited)
Composed by Frédéric Chopin (uncredited)
Played by Arnaldo Graziosi (uncredited)
Commentaire en vedette
Disgusting and Depressing Mix of Sexual Torture and Violence
Salò, or the 120 Days of Sodom (1975)
*** 1/2 (out of 4)
Nine young boys and nine young girls are gathered up and taken from their homes. They are taken to a secluded castle in Italy during WWII where they hear a variety of perverted stories while their captures sexually and mentally abuse them.
Pier Paolo Pasolini would be murdered before the release of this, his final film and many still seem to think it wasn't a random murder. Many people believe that his politics had some higher ups order his murder but it's doubtful we'll ever know what the truth was. With that said, this final film of his is certainly unlike anything you're ever going to see as it's about as depraved, disgusting and depressing as you're going to get. I personally think SALO, OR THE 120 DAYS OF SODOM is a very good movie but it's hard to really recommend it to anyone.
Based on the work of Marquis de Sade, this film is about as disturbing as everything put to film. The real debate is rather this is some sort of serious art film with a message or is it just a cheap piece of exploitation that was meant to make you sick. I mean, certain horror movies are trashed for their disgusting scenes of violence and sexual brutality but how many movies are actually worse than this one? Not only do you get disgusting stories being told ranging from child rape to people being forced to eat poop but we have to see these things as well. This is a film that really works on the viewers mind so it's going to be up to that viewer whether they take it in as art or some sort of exploitation.
For my money, the film is a piece of art. I'm not going to say what the director was trying to do or say with the picture but to me this film works because it seems very real. It seems like you're really there watching these horrible events and the film really doesn't back down at anything. The stories are rather brutal and we get scenes of such sexual depravity that you can't help but be disturbed. There really isn't any style here because the camera just captures the horrors that are there. The performances are raw, realistic and just add to the horrors of the story.
Obviously, not everyone is going to be able to take this film and I really can't say I'd blame anyone for turning it off. Again, we can debate the politics and message of the film but there's no question that when the end credits start you're going to need a shower.
*** 1/2 (out of 4)
Nine young boys and nine young girls are gathered up and taken from their homes. They are taken to a secluded castle in Italy during WWII where they hear a variety of perverted stories while their captures sexually and mentally abuse them.
Pier Paolo Pasolini would be murdered before the release of this, his final film and many still seem to think it wasn't a random murder. Many people believe that his politics had some higher ups order his murder but it's doubtful we'll ever know what the truth was. With that said, this final film of his is certainly unlike anything you're ever going to see as it's about as depraved, disgusting and depressing as you're going to get. I personally think SALO, OR THE 120 DAYS OF SODOM is a very good movie but it's hard to really recommend it to anyone.
Based on the work of Marquis de Sade, this film is about as disturbing as everything put to film. The real debate is rather this is some sort of serious art film with a message or is it just a cheap piece of exploitation that was meant to make you sick. I mean, certain horror movies are trashed for their disgusting scenes of violence and sexual brutality but how many movies are actually worse than this one? Not only do you get disgusting stories being told ranging from child rape to people being forced to eat poop but we have to see these things as well. This is a film that really works on the viewers mind so it's going to be up to that viewer whether they take it in as art or some sort of exploitation.
For my money, the film is a piece of art. I'm not going to say what the director was trying to do or say with the picture but to me this film works because it seems very real. It seems like you're really there watching these horrible events and the film really doesn't back down at anything. The stories are rather brutal and we get scenes of such sexual depravity that you can't help but be disturbed. There really isn't any style here because the camera just captures the horrors that are there. The performances are raw, realistic and just add to the horrors of the story.
Obviously, not everyone is going to be able to take this film and I really can't say I'd blame anyone for turning it off. Again, we can debate the politics and message of the film but there's no question that when the end credits start you're going to need a shower.
utile•3811
- Michael_Elliott
- 18 nov. 2017
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Salò, or the 120 Days of Sodom
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 1 808 595 $ US
- Durée1 heure 57 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Salo: Les 120 Jours de Sodome (1975) in Australia?
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