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Salò, or the 120 Days of Sodom (1975)

Salò o le 120 giornate di Sodoma (original title)
Not Rated | | Drama, Horror, War | 19 May 1976 (France)
In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to one hundred and twenty days of physical, mental and sexual torture.
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Cast

Cast overview, first billed only:
... The Duke
... The Bishop
... The Magistrate (as Umberto P. Quintavalle)
Aldo Valletti ... The President
... Signora Castelli
... Signora Maggi
... Signora Vaccari (as Helene Surgere)
... The Pianist
Sergio Fascetti ... Male Victim
Bruno Musso ... Carlo Porro - Male Victim
Antonio Orlando ... Tonino - Male Victim
Claudio Cicchetti ... Male Victim
... Male Victim
Umberto Chessari ... Male Victim
Lamberto Book ... Lamberto Gobbi - Male Victim
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Storyline

Nazi-Fascist Northern Italy, 1943-44. Four senior members of government, aided by henchmen and Nazi soldiers, kidnap a group of young men and women. They hold them for 120 days, subjecting them to all manner of torture, perversion and degradation. Written by grantss

Plot Summary | Add Synopsis

Taglines:

The final vision of a controversial filmmaker See more »

Genres:

Drama | Horror | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

19 May 1976 (France)  »

Also Known As:

Salò, or the 120 Days of Sodom  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ennio Morricone, who composed the jazzy soundtrack, said he was very uncomfortable watching the movie. He only agreed to score the film due to being friends with Pasolini. See more »

Goofs

In the beginning of the film a 1948 Fiat 500 B can be seen. See more »

Quotes

[first lines]
[four men, sitting at a table, each sign a booklet]
The Duke: Your Excellency.
The Magistrate: Mr. President.
The President: My lord.
The Bishop: All's good if it's excessive.
See more »

Crazy Credits

Essential Bibliography: Roland Barthes: 'Sade, Fourier, Loyola' (Editions du Seuil); Maurice Blanchot: "Lautréamont et Sade' (Editions de Minuit; in Italy Dedalo Libri); Simone de Beauvoir: 'Faut-il brûler Sade' (Editions Gaimard); Pierre Klossowski: 'Sade mon prochain, le philosophe scélérat' (Editions du Seuil; in Italy SugarCo Edizioni); Philippe Sollers: 'L'écriture et l'experience des limites' (Editions du Seuil) See more »

Connections

Featured in Pier Paolo Pasolini (1995) See more »

Soundtracks

Carmina Burana - III. Veris Laeta Facies
Written by Carl Orff
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Frequently Asked Questions

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User Reviews

 
A necessary evil
16 March 2005 | by See all my reviews

This is a tough one. Pasolini was a very complicated man. He was murdered in still-unexplained circumstances shortly after the film was completed. I was 10 years old when this movie was finished, but I only saw it now. Despite being almost 30 years old, Salo is probably the most cruel and repulsive film ever made, not just here in Italy but in the whole world. It depicts the worse atrocities inflicted to humans by humans. The true dark side of human nature: When evil is born out of simple boredom, when it comes naturally. It is a film that I don't want to see ever again, but at the same time I'm glad it was made. I thought hated it at first, but I now I realized is not true. Of course I don't love it either. I can't decide how to judge it. I don't like the cinematography or the acting. But it was definitely one of the most profound emotional experiences of revulsion I've had in a film. It is a necessary evil if you can endure it.


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