
Report to the Commissioner (1975)
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- PG
- 1h 52min
- Action, Crime
- 19 Sep 1975 (Ireland)
- Movie
- 2 nominations.
- See more »
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Cast verified as complete
Michael Moriarty | ... |
Bo Lockley
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Yaphet Kotto | ... |
Richard 'Crunch' Blackstone
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Susan Blakely | ... |
Patty Butler
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Hector Elizondo | ... |
Captain D'Angelo
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Tony King | ... |
Thomas 'Stick' Henderson
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Michael McGuire | ... |
Lt. Hanson
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Edward Grover | ... |
Captain Strichter
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Dana Elcar | ... |
Chief Perna
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Bob Balaban | ... |
Joey Egan
(as Robert Balaban)
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William Devane | ... |
Asst. D.A. Jackson
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Stephen Elliott | ... |
Police Commissioner
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Richard Gere | ... |
Billy
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Vic Tayback | ... |
Lt. Seidensticker
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Albert Seedman | ... |
Detective Schulman
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Noelle North | ... |
Samantha
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Bebe Drake | ... |
Dorothy
(as Bebe Drake Hooks)
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Sonny Grosso | ... |
Detective
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Lee Delano | ... |
Detective
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Vincent Van Lynn | ... |
Detective
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Bob Golden | ... |
Detective
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Rest of cast listed alphabetically: | |||
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Allen Arkus | ... |
Reporter (uncredited)
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Cynthia Frost | ... |
Woman with Dog (uncredited)
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Randy Jurgensen | ... |
Detective (uncredited)
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Tony Lip | ... |
Strip Club Manager (uncredited)
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Ron Troncatty | ... |
Policeman in Apartment (uncredited)
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Directed by
Milton Katselas |
Written by
James Mills | ... | (novel) |
Abby Mann | ... | (screenplay) and |
Ernest Tidyman | ... | (screenplay) |
Produced by
M.J. Frankovich | ... | producer |
Music by
Elmer Bernstein |
Cinematography by
Mario Tosi | ... | director of photography |
Editing by
David E. Blewitt | ... | (as David Blewitt) |
Editorial Department
Abe Lincoln Jr. | ... | assistant film editor |
Casting By
Joyce Selznick |
Production Design by
Robert Clatworthy |
Set Decoration by
John A. Kuri | ... | (as John Kuri) |
Costume Design by
Anna Hill Johnstone |
Makeup Department
Patricia Miller | ... | hair stylist (as Pat Miller) |
Fred Williams | ... | makeup artist |
Production Management
Mike Frankovich Jr. | ... | unit production manager |
William J. O'Sullivan | ... | executive production manager |
Second Unit Director or Assistant Director
Dick Moder | ... | assistant director (as Richard Moder) |
Charles Norton | ... | assistant director (as Charles H. Norton) |
Paul Baxley | ... | second unit director (uncredited) |
Art Department
Philip Calhoun | ... | property master |
Tom Jung | ... | poster designer (uncredited) |
Sound Department
Don Cahn | ... | sound re-recordist |
Les Fresholtz | ... | sound re-recordist |
Al Overton | ... | sound mixer (as Alfred J. Overton) |
Arthur Piantadosi | ... | sound re-recordist |
Richard Tyler | ... | sound re-recordist |
Jeff Bushelman | ... | sound editor (uncredited) |
Richard Gramaglia | ... | sound recordist (uncredited) |
Pat Somerset | ... | sound editor (uncredited) |
Special Effects by
R.A. MacDonald | ... | special effects (as Robert MacDonald) |
Stunts
Craig R. Baxley | ... | stunt double (uncredited) |
Dean Jeffries | ... | stunts (uncredited) |
Fred Scheiwiller | ... | stunts (uncredited) |
Jerry Summers | ... | stunts (uncredited) |
Camera and Electrical Department
Dustin Blauvelt | ... | assistant camera |
John Englert | ... | key grip |
Joel King | ... | assistant camera |
Joe Pender | ... | gaffer |
Albert Taffet | ... | camera operator |
Donald E. Thorin | ... | camera operator |
Brian Hamill | ... | still photographer: special assignment (uncredited) |
Casting Department
Judith Lamb | ... | casting assistant (as Judy Lamb) |
Costume and Wardrobe Department
Margo Baxley | ... | costumer |
John Boyt | ... | costume supervisor |
Bucky Rous | ... | costumer |
Music Department
Spencer Proffer | ... | music producer / songwriter |
Robert Tracy | ... | music editor (as Robert N. Tracy) |
Elmer Bernstein | ... | conductor (uncredited) |
Sheryl Levine Guterman | ... | assistant music editor (uncredited) |
Malcolm McNab | ... | musician: trumpet (uncredited) |
Louise Di Tullio | ... | musician: flute (uncredited) |
Script and Continuity Department
Betsy Norton | ... | script supervisor |
Additional Crew
Bill Ballmer | ... | technical advisor |
George Barrett | ... | technical advisor |
Paul Baxley | ... | action sequence coordinator |
Sonny Grosso | ... | technical advisor |
Randy Jurgensen | ... | technical advisor |
Saul Kahan | ... | public relations |
Adeline Leonard Seakwood | ... | production office coordinator |
James McNiff | ... | technical advisor |
John Walsh | ... | technical advisor |
Douglas Dean III | ... | production assistant (uncredited) |
Thanks
Mary Imperato | ... | grateful appreciation: Mayor's Committee on Filming in New York |
Helen O'Hagan | ... | grateful appreciation: Saks Fifth Avenue |
Production Companies
Distributors
- United Artists (1975) (United States) (theatrical)
- United Artists (1975) (United Kingdom) (theatrical)
- United Artists (A-Asia) (1975) (Australia) (theatrical)
- United Artists (1975) (West Germany) (theatrical)
- Kommunenes Filmcentral (KF) (1975) (Norway) (theatrical)
- United Artists (1975) (Sweden) (theatrical)
- United Artists (1975) (Italy) (theatrical)
- Vesna Film (1976) (Yugoslavia) (theatrical)
- 20th Century Fox Home Entertainment (2011) (United States) (DVD)
- Audio Visual Enterprises (1990) (Greece) (VHS)
- British Broadcasting Corporation (BBC) (1980) (United Kingdom) (tv) (Original UK Airing)
- CBS (1976) (United States) (tv) (broadcast premiere)
- Kino Lorber (2015) (United States) (Blu-ray) (DVD)
- MGM Home Entertainment (1988) (United States) (VHS)
- MGM/UA Television Distribution (1989) (United States) (tv) (syndication)
- Tubi TV (United States) (video) (streaming)
- United Artists Television Distribution (1982) (United States) (tv) (syndication)
- Warner Home Video (1985) (Australia) (VHS)
- Warner Home Video (1985) (Netherlands) (VHS)
- Warner Home Video (1985) (Germany) (VHS)
- Warner Home Video (1985) (United Kingdom) (VHS)
Special Effects
Other Companies
- Burbank Editorial Service Inc. (sound effects)
- Pacific Title (titles)
- Pacific Titles & Optical (opticals)
- Tom Ward Enterprises (casting)
Storyline
Plot Summary |
Police procedural drama set in New York City during the 1970s. Rookie cop Beauregard Bo Lockley is assigned to the 16th detective squad in the New York Police Department. He is honest, humane, thoughtful and a bit inexperienced. Being college-educated and long-haired he could pass for a hippie or an anti-Vietnam War activist. His candid demeanor and revolutionary and innovative ideas about what police work should be like amuse his colleagues. His new partner, veteran detective Richard Crunch Blackstone even makes fun about Lockley's first name. He privately reveals to other detectives that he doesn't think Lockley will last in the detective career as he isn't armed with the skills necessary to survive the violent, crime-ridden, dog-eat-dog world of New York City. Nevertheless, detective Blackstone accepts the task to train the rookie. Ironically, they both have things they could learn from one another as they have different approaches to solving problems. At the same time, their squad is after a notorious drug dealer and illegal weapons trafficker named Thomas 'Stick' Henderson. This case is assigned to a skilled undercover female detective named Patty Butler. She plans to ingratiate herself with Henderson in the hope that he will court her, become her lover and entrust her with his secrets concerning his criminal activities. Her suggestion is met with reluctance by her superiors who fear that she could get killed and make the department look bad. Not to mention the fact they could lose their jobs or pensions. However, detective Patty Butler persuades them to give her permission for her plan. They agree, but they warn her not to fall in love with him for real. Promising to be professional, Patty Butler gets to work. The real tragedy occurs when rookie Beauregard Lockley notices Patty Butler on the streets and is attracted to her without knowing who she is. No one from the squad informs Lockley that Patty Butler is a cop, for fear of blowing her cover. But Lockley often thinks about her. When Patty fails to contact her superiors and disappears for more than two weeks, the squad superiors send rookie Lockley to look for her without telling him who she is. They only tell him that the girl is a person of interest to the police and that her nickname is 'Chicklet'. When Lockley finds her, he realizes that she is the attractive girl he has previously seen on the streets while training with his veteran partner. Lockley is determined to save 'Chicklet' from her criminal boyfriend, still not knowing that she's an undercover cop on assignment. Lockley follows her, talks to her and tries to take her away with him. However, Patty Butler aka 'Chicklet' is determined to finish her undercover assignment. She refuses to go with Lockley or to reveal to him her real identity. She only promises to secretly meet him the next day in a pub. Lockley informs his superiors he found 'Chicklet' but they tell him to forget all about her. Unfazed, detective Lockley goes to her 'boyfriend's' apartment in Times Square and that's where the first tragedy strikes. Furthermore, a chase on foot ensues and a Mexican stand-off in an elevator of the Saks Fifth Avenue department store occurs. That's the second tragedy. An Internal Affairs - DA Office investigation follows and a third tragedy brings everything to a conclusion. Written by nufs68 |
Plot Keywords | |
Taglines | No One Knew She Was An Undercover Policewoman. Including The Detective Who Killed Her. See more » |
Genres | |
Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | First film of Richard Gere. See more » |
Goofs | When Michael Moriarty is chasing Tony King through the street, at first King is barefoot, but at certain instances, you can tell he has on shoes, then later in the chase scene, he is barefoot again. See more » |
Movie Connections | Referenced in Mel Brooks/Susan Blakely/Bob Rosefsky (1975). See more » |
Soundtracks | Loving You Gets Better With Time See more » |
Quotes |
Richard 'Crunch' Blackstone:
[laughing]
It happened. They sent us a hippy. See more » |