
Cries & Whispers (1972)
Viskningar och rop (original title)Reference View | Change View
- R
- 1h 32min
- Drama
- 05 Mar 1973 (Brazil)
- Movie
- Won 1 Oscar. Another 21 wins & 12 nominations.
- See more »
Photos and Videos
Cast
Harriet Andersson | ... |
Agnes
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Kari Sylwan | ... |
Anna
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Ingrid Thulin | ... |
Karin
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Liv Ullmann | ... |
Maria
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Anders Ek | ... |
Isak
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Inga Gill | ... |
Storyteller
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Erland Josephson | ... |
David
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Henning Moritzen | ... |
Joakim
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Georg Årlin | ... |
Fredrik
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Rest of cast listed alphabetically: | |||
Ingmar Bergman | ... |
Narrator (uncredited) (voice)
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Ingrid Bergman | ... |
Spectator (uncredited)
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Lena Bergman | ... |
Maria as a Child (uncredited)
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Lars-Owe Carlberg | ... |
Spectator (uncredited)
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Malin Gjörup | ... |
Anna's Daughter (uncredited)
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Greta Johansson | ... |
Undertaker (uncredited)
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Karin Johansson | ... |
Undertaker (uncredited)
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Ann-Christin Lobråten | ... |
Spectator (uncredited)
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Börje Lundh | ... |
Spectator (uncredited)
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Rossana Mariano | ... |
Agnes as a Child (uncredited)
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Monika Priede | ... |
Karin as a Child (uncredited)
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Ingrid Sandell | ... |
Girl at a family gathering (uncredited)
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Linn Ullmann | ... |
Maria's Daughter (uncredited)
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Directed by
Ingmar Bergman |
Written by
Ingmar Bergman | ... | () |
Produced by
Ingmar Bergman | ... | producer |
Lars-Owe Carlberg | ... | producer |
Cinematography by
Sven Nykvist |
Editing by
Siv Lundgren |
Production Design by
Marik Vos-Lundh |
Costume Design by
Marik Vos-Lundh |
Makeup Department
Cecilia Drott | ... | makeup artist |
Britt Falkemo | ... | makeup artist |
Börje Lundh | ... | makeup artist |
Second Unit Director or Assistant Director
Arne Carlsson | ... | assistant director |
Art Department
Gunilla Hagberg | ... | property master |
Ann-Christin Lobråten | ... | assistant art director |
Sound Department
Sven Fahlén | ... | sound mixer |
Tommy Persson | ... | sound |
Owe Svensson | ... | sound mixer / sound |
Camera and Electrical Department
Anders Bergkvist | ... | grip |
Gerhard Carlsson | ... | gaffer |
Stefan Gustafsson | ... | gaffer |
Bo-Erik Gyberg | ... | still photographer |
Lars Karlsson | ... | assistant camera |
Ragnar Waaranperä | ... | grip |
Music Department
Pierre Fournier | ... | musician: cello |
Script and Continuity Department
Katinka Faragó | ... | script supervisor |
Additional Crew
Paulette Rubinstein | ... | english version written and directed by (uncredited) |
Production Companies
Distributors
- New World Pictures (1972) (United States) (theatrical) (subtitled) (also English-dubbed)
- Svensk Filmindustri (SF) (1972) (Sweden) (theatrical)
- Cinetel (1973) (Argentina) (theatrical)
- Filmédis (1973) (France) (theatrical)
- Gala Film Distributors (1973) (United Kingdom) (theatrical) (subtitled)
- Medusa Distribuzione (1973) (Italy) (theatrical)
- British Empire Films Australia (1973) (Australia) (theatrical) (subtitled)
- Filmes Lusomundo (1973) (Portugal) (theatrical)
- Hafbo (1973) (Netherlands) (theatrical)
- Ioannis Mitropoulos & Co. (1973) (Greece) (theatrical)
- Towa. (1974) (Japan) (theatrical)
- Elan Films (1974) (Belgium) (theatrical)
- Reserva Especial (Brazil) (VHS)
- Home Vision Entertainment (HVE) (2000) (United States) (VHS)
- Continental Home Vídeo (2001) (Brazil) (DVD)
- Home Vision Entertainment (HVE) (2001) (United States) (DVD)
- The Criterion Collection (2001) (United States) (DVD) (subtitled)
- The Criterion Collection (2004) (United States) (DVD) (subtitled)
- Moskwood Media (2005) (Netherlands) (DVD)
- Kinowelt Home Entertainment (2006) (Germany) (DVD)
- Gutek Film (2007) (Poland)
- Palisades-Tartan Acquisitions (2008) (United Kingdom) (DVD) (subtitled)
- Leopardo Filmes (2014) (Portugal)
- The Criterion Collection (2015) (United States) (DVD) (subtitled)
- Carlotta Films (2018) (France) (theatrical) (re-release) (restored version)
- HBO Max (2020) (United States) (video) (VOD)
- Weird Wave (2021) (Greece) (theatrical) (re-release)
- Leopardo Filmes (2024) (Portugal)
Special Effects
Other Companies
- Cannes Film Festival (festival)
- Chapman/Leonard Studio Equipment (camera dollies)
- Svenska Filminstitutet (SFI) (digital restoration) (2017)
Storyline
Plot Summary |
In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface. Written by duke1029 |
Plot Keywords | |
Taglines | Four women dressed in white in a mansion painted red...haunted by whispers and cries. See more » |
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Parents Guide | View content advisory » |
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Box Office
Budget | $400,000 (estimated) |
Did You Know?
Trivia | Ingmar Bergman explained the use of the color red in this film: "'Cries and Whispers' is an exploration of the soul, and ever since childhood, I have imagined the soul to be a damp membrane in varying shades of red." See more » |
Goofs | When Anna wakes up Maria late at night, Maria follows her out of the room barefoot. After they get Karin, Maria has slippers on. See more » |
Movie Connections | Featured in Liv Ullmann scener fra et liv (1997). See more » |
Soundtracks | Suite No. 5 for solo Cello in C Minor, 4th mvt 'Sarabande' See more » |
Quotes |
Anna:
[reading Agnes' journal entry]
"Wednesday, the third of September. A chill in the air tells of autumn's approach, but the days are still lovely and mild. My sisters, Karin and Maria, have come to see me. It's wonderful to be together again like in the old days. I'm feeling much better. We were even able to take a stroll together. It was a wonderful experience, especially for me, since I haven't been outdoors for so long. We suddenly began to laugh and run toward the old swing that we hadn't used since we were children. We sat in it like three good little sisters and Anna pushed us, slowly and gently. All my aches and pains were gone. The people I'm most fond of in all the world were with me. I could hear them chatting around me. I could feel the presence of their bodies, the warmth of their hands. I wanted to cling to that moment, and I thought, "Come what may, this is happiness. I cannot wish for anything better. Now, for a few minutes, I can experience perfection and I feel profoundly grateful to my life, which gives me so much." See more » |