Cries & Whispers (1972)
"Viskningar och rop" (original title)

When a woman dying of cancer in turn-of-the century Sweden is visited by her two sisters, long repressed feelings between the siblings rise to the surface.

Director:

Ingmar Bergman

Writer:

Ingmar Bergman

Stars:

Harriet Andersson, Kari Sylwan, Ingrid Thulin

Won 1 Oscar. Another 21 wins & 7 nominations.

Cast

Cast overview:
Harriet Andersson	...	Agnes
Kari Sylwan	...	Anna
Ingrid Thulin	...	Karin
Liv Ullmann	...	Maria (and her mother)
Anders Ek	...	Isak, the priest
Inga Gill	...	Story teller
Erland Josephson	...	David, the doctor
Henning Moritzen	...	Joakim, Maria's husband
Georg Årlin	...	Fredrik, Karin's husband

Storyline

In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface.

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Plot Keywords:

mansion | turn of the century | dying | jealousy | pain | 

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Taglines:

A haunting and shattering film experience.

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Genres:

Drama | Romance

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Certificate:

R

Details

Country:

Sweden

Language:

Swedish German Danish

Release Date:

5 March 1973 (Sweden)

Also Known As:

Cries and Whispers

Filming Locations:

Taxinge-Näsby estate, Mariefred, Södermanlands län, Sweden

Box Office

Budget:

$400,000 (estimated)

Company Credits

Production Co:

Cinematograph AB, Svenska Filminstitutet (SFI)

Technical Specs

Runtime:

91 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Ingmar Bergman explained the use of the color red in this film: "'Cries and Whispers' is an exploration of the soul, and ever since childhood, I have imagined the soul to be a damp membrane in varying shades of red."

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Quotes

Maria: You've changed. Is there someone else?
David: There always is. Besides, I thought the problem didn't interest you.
Maria: It doesn't.

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Connections

Referenced in Being There (1979)

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Soundtracks

"Suite No. 5 for solo Cello in C Minor, 4th mvt 'Sarabande'"
by Johann Sebastian Bach
Played by Pierre Fournier

User Reviews

Death, pain, grief, guilt... and love

Death is one of those things that no one really likes to talk about. When a family member or loved one is terminally ill, the lives of all that surround the individual change, sometimes forever.

This film deals with a terminally ill woman, her devoted servant, and the woman's two sisters, brought together by the tragedy. As the women live through the last days of their dying sister, the superficial layers of each begin to disintegrate, and we eventually see the very core of their being --and it isn't always pretty.

Also not pretty are the deathbed scenes. I found them harrowing, painful and frighteningly realistic. No one at the bedside had any sense of the purpose of so much pain -- not even the priest.

Bergman uses silence like other directors use explosions. The ticking and chiming of the clock are almost startling as time drags on and on. Everyone waits for the inevitable, and the inevitable takes it time.

The cinematography is extraordinary, as is the use of color. Red is used to an almost overwhelming degree, but also used to perfection. When I think of red, several ideas or images come to mind, such as blood, passion, and heat. Each of these are presented in various degrees in this film.

The redeeming figure in this film is the servant. Her love for the dying woman is completely unconditional and selfless. It was for her grief that I wept.