Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
Harry Lund is a nineteen year old young man who meets Monika, a romantic, reckless and rebellious seventeen year old, and they fall in love. They leave their families and jobs in their ... See full summary »
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a... See full summary »
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
This tale centers around the love between Baptiste, a theater mime, and Claire Reine, an actress and otherwise woman-about-town who calls herself Garance. Garance, in turn, is loved by ... See full summary »
In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface. Written by
Gabe Taverney (email@example.com)
Bergman, who produced the film with his own money, could not find an American distributor as they felt it was too uncommercial. Roger Corman, who had just left American-International Pictures to set up his own New World releasing company, was in the market for a prestige picture to give his new operation some class. See more »
It's true. I think... about suicide. I've often thought about it. It's... it's disgusting. It's very degrading and everlastingly the same.
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The color red holds so many facets of symbolism in this picture. If you've seen Woody Allen's "Manhattan", then you may remember when he called Ingmar Bergman the only person he could truly consider to be a cinematic genius. Like Nathaniel Hawthorne, Bergman digs deep into the human psyche... only he does it cinematically, which is an even greater achievement. This is just one of those rare, important films. *****/*****
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