Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
Harry Lund is a nineteen year old young man who meets Monika, a romantic, reckless and rebellious seventeen year old, and they fall in love. They leave their families and jobs in their ... See full summary »
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a... See full summary »
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
When Juliette marries Jean, she comes to live with him as he captains a river barge. Besides the two of them, are a cabin boy and the strange old second mate Pere Jules. Soon bored by life ... See full summary »
In turn-of-the-century Sweden, cancer-stricken, dying Agnes is visited in her isolated rural mansion by her sisters Karin and Maria. As Agnes' condition deteriorates and pain management becomes increasingly more difficult, fear and revulsion grip the sisters, who seem incapable of empathy, and Agnes' only comfort and solace comes from her maid Anna. As the end draws closer, long repressed feelings of grudging resentment and mistrust cause jealousy, selfishness, and bitterness between the siblings to surface. Written by
Gabe Taverney (firstname.lastname@example.org)
The mansion where the film was shot, Taxinge-Nasby, had not been inhabited for years, and the repainting of the walls with glossy red paint, and the half run-down condition of the place, meant that it had to be extensively renovated by the new caretakers. See more »
You look so disconcerted. You thought our talk would be different, didn't you? Do you realize I hate you and how foolish I find your insipid smile and your idiotic flirtatiousness?
How have I managed to tolerate you so long and not say anything? I know of what you're made - with your empty caresses and your false laughter. Can you conceive how anyone can live with so much hate as has been my burden? There's no relief, no charity, no help! There is nothing. Do you understand? ...
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The Sounds Of Cries And Whispers Or A Study In Red
The idea of this film that is considered by many as Bergman's crown achievement came to him in his house at Faro where he lived by himself for sometime in a melancholy state of mind after a rather painful breakup. One image kept coming to him and it was a very vivid and persistent image of a red room (red walls, red furniture) and four women sitting at the window in the room and dressed by the fashion of the beginning of the 20th century. He could not shake the image out of his mind and he knew that the only way to deal with it would be to start writing about the women who were they, what was their relationship, their lives, their fates?.. He also knew that should the movie be made of his writing, the dominating color of it would be red. Bergman talked with affection and gratitude about his friend and long time collaborator Swen Nykwist who spent many days creating the passionate haunting red world of "Cries and Whispers. The title came to Bergman from one of the reviews on a Mozart's sonata (he does not remember which one). The sonata was described as sounds of cries and whispers
"Cries and Whispers" is about pain, death, love, lust, hate, and self-loathing. There are more than one scene in the film that I found unbearable, horrifying and depressing. In the same time, it is about beauty and power of life, every minute of it - how little we appreciated it until it is too late. Typical Bergman's subjects, Bergman's actresses giving amazing performances, strikingly beautiful it even hurts your eyes cinematography by Sven Nykvist - typical Bergman's masterpiece - what less do we expect from him? I admire the brilliance of it: acting, cinematography, Bergman's simple but devastating approach to Death as an inevitable part of life. The ending is heartbreaking - with Harriet's face and her words from beyond the grave about appreciating every minute of life...
Powerful and devastating film.
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