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I, Monster ()


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19th-century London psychologist Charles Marlowe experiments with a mind-altering drug. He develops a malevolent alter ego, Edward Blake, who his friend Utterson suspects of blackmailing Marlowe.

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Complete, Cast awaiting verification

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Dr. Charles Marlowe / Edward Blake
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Frederick Utterson
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Enfield
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Lanyon
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Poole
Kenneth J. Warren ...
Deane
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Diane
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Annie
Aimée Delamain ...
Landlady (as Aimee Delamain)
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Boy in Alley
Rest of cast listed alphabetically:
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Pub Patron (uncredited)
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Girl in Alley (uncredited)
Lesley Judd ...
Woman in Alley (uncredited)
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Man At Bar (uncredited)
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Man in Pub (uncredited)
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Pipe Smoker (with Cap) in Pub (uncredited)

Directed by

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Stephen Weeks

Written by

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Robert Louis Stevenson ... (novel "The Strange Case of Dr. Jekyll and Mr. Hyde")
 
Milton Subotsky ... (screenplay)

Produced by

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Max Rosenberg ... producer (as Max J. Rosenberg)
Milton Subotsky ... producer

Music by

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Carl Davis

Cinematography by

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Moray Grant ... director of photography

Editing by

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Peter Tanner

Editorial Department

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Tom Cornwell ... first assistant editor (uncredited)
Rodney Glenn ... second assistant editor (uncredited)
Gordon Thompson ... third assistant editor (uncredited)

Casting By

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Ronnie Curtis

Art Direction by

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Tony Curtis

Makeup Department

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Harry Frampton ... makeup artist
Joyce James ... hair stylist
Peter Frampton ... makeup artist (uncredited)

Production Management

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Teresa Bolland ... production manager

Second Unit Director or Assistant Director

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Al Burgess ... first assistant director
Michael Stevenson ... second assistant director

Art Department

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Peter Young ... set dresser

Sound Department

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Buster Ambler ... sound mixer
Michael P. Redbourn ... sound editor (as Michael Redbourn)
Nolan Roberts ... dubbing mixer

Camera and Electrical Department

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Bob Kindred ... camera operator (as Robert Kindred)

Costume and Wardrobe Department

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Bridget Sellers ... wardrobe

Music Department

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Carl Davis ... conductor (uncredited)
Percy Edwards ... animal vocalizations (uncredited)

Script and Continuity Department

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Phyllis Townshend ... continuity

Additional Crew

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Kathy Ewings ... producer's secretary (uncredited)
Norma Garment ... production secretary (uncredited)
Crew believed to be complete

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

In the Nineteenth Century, in London, the psychologist Charles Marlowe researches a new drug capable to release inhibitions and uses his patients as guinea pigs. He discusses the principles of Freud with his friend Dr. Lanyon and decides to experiment his drug in himself. He becomes the ugly and evil Edward Blake and his friend and lawyer Frederik Utterson believes Blake is another person that might be blackmailing Charles. Meanwhile Charles loses control of his transformation. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Parents Guide View content advisory »
Certification

Additional Details

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Also Known As
  • I, A Monster (United States)
  • Je suis un monstre (France)
  • El monstruo (Spain)
  • Eu, Monstro (Portugal)
  • Jeg, et uhyre (Denmark)
  • See more »
Runtime
  • 75 min
Country
Language
Color
Aspect Ratio
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Filming Locations

Did You Know?

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Trivia This film attempts (and is mostly successful in doing so) to exploit the Pulfrich effect to provide a 3-D experience. To see this, use a pair of glasses with the right lens much darker than the left. These are available for other videos or they can be made by removing the left lens from a pair of sunglasses. Some clever camera work and choreography that keeps the foreground moving to the right and the background moving left makes this possible. See more »
Goofs At c. 53:00 into the film, Utterson says he would recognize the exact details of the ornate head of Blake's cane. However, he has only seen this cane for a fraction of a second at nighttime, when it was used to assault him earlier in the film. See more »
Movie Connections Featured in The Many Faces of Christopher Lee (1996). See more »
Soundtracks Eine Kleine Nachtsmusik See more »
Quotes Dr. Charles Marlowe: The face of evil is ugly to look upon. And as the pleasures increase, the face becomes uglier.
See more »

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