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I, Monster (1971)

 -  Horror | Sci-Fi  -  April 1973 (USA)
5.8
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Ratings: 5.8/10 from 654 users  
Reviews: 21 user | 17 critic

Christopher Lee stars in the Amicus production of "Dr. Jekyll & Mr. Hyde" where the names have been changed to Dr. Marlowe and Mr. Blake. Lee as Dr. Marlowe experiments with intravenous ... See full summary »

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Title: I, Monster (1971)

I, Monster (1971) on IMDb 5.8/10

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Cast

Complete credited cast:
...
...
Mike Raven ...
Richard Hurndall ...
George Merritt ...
Kenneth J. Warren ...
Mr. Deane
Susan Jameson ...
Diane Thomas
Marjie Lawrence ...
Annie
Aimée Delamain ...
Landlady (as Aimee Delamain)
...
Boy in alley
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Storyline

Christopher Lee stars in the Amicus production of "Dr. Jekyll & Mr. Hyde" where the names have been changed to Dr. Marlowe and Mr. Blake. Lee as Dr. Marlowe experiments with intravenous drugs that are supposed to release inner inhibitions. So comes forth Mr. Blake (also Lee) who gets more monstrous with each transformation (physically as well as personality). Peter Cushing plays his friend and colleague, Dr. Utterson. Written by Humberto Amador

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Genres:

Horror | Sci-Fi

Certificate:

PG | See all certifications »
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Release Date:

April 1973 (USA)  »

Also Known As:

I, Monster  »

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 »
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Technical Specs

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Sound Mix:

(RCA Sound System)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Peter Duffell refused the offer to direct this project. See more »

Quotes

Dr. Charles Marlowe: The face of evil is ugly to look upon. And as the pleasures increase, the face becomes uglier.
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Soundtracks

Eine Kleine Nachtsmusik
By Wolfgang Amadeus Mozart (uncredited)
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User Reviews

A jewel in the dust.
11 December 1999 | by (Toulouse, France) – See all my reviews

This version of Stevenson's DOCTOR JEKYLL AND MISTER HYDE is a rather worthy one. Christopher Lee gives one of his finest acting performances ever as Doctor Marlowe, while Peter Cushing finds himself with an interesting supporting role. Another good surprise is the music, usually painful in those cheap horror films from the 70s. Here, there is dissonant orchestral music that befits the subject perfectly. The story is treated straightforward, which keeps the pace going. The philosophical aspect of the story is present too, with many references to Freud's theories on the nature of good and evil. A bit dusty, but it's still a good film.


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