A Kentucky slave fights for his freedom from cruel overseer whose mistress eventually joins Davis and the other slaves in their revolt.
Director:
Writers:
Stars:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast
Stephen Boyd | ... |
MacKay
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Dionne Warwick | ... |
Cassy
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Ossie Davis | ... |
Luke
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Marilyn Clark | ... |
Mrs. Bennett
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Gale Sondergaard | ... |
New Orleans lady
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Shepperd Strudwick | ... |
Mr. Stillwell
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Nancy Coleman | ... |
Mrs. Stillwell
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Julius Harris | ... |
Shadrach
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David Huddleston | ... |
Holland
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Eva Jessye | ... |
Julie
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Robert Kya-Hill | ... |
Jericho
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Barbara Ann Teer | ... |
Esther
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James Heath | ... |
Luther
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Aldine King | ... |
Emmeline
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Slim Landrum |
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Gwendolyn Belle |
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Buddy Flowers |
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James Burford |
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Oscar Paul Jones | ... |
Zacharious
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Bennie Baines |
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Kelly Ross |
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Easter Neely |
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The People of Shreveport Louisiana | ... |
(as the People of Shreveport Louisiana)
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Directed by
Herbert J. Biberman |
Written by
Herbert J. Biberman | ... | (writer) |
John O. Killens | ... | (writer) |
Alida Sherman | ... | (writer) |
Produced by
Philip Langner | ... | producer |
Marshall Young | ... | associate producer |
Music by
Bobby Scott |
Cinematography by
Joseph C. Brun | ... | (as Joseph Brun) |
Editing by
Sidney Meyers |
Editorial Department
Sylvia Sarner | ... | assistant editor |
Eugene Shapiro | ... | assistant editor |
Casting By
Ruth Kramer |
Art Direction by
Nathaniel Burr Smidt | ... | (as Burr Smidt) |
Costume Design by
Laurence Gross | ... | (costume supplier: Miss Warwick) |
Bob Rogers | ... | Miss Warwick's costume designer |
Makeup Department
Walter Fountain | ... | Miss Warwick's wigs (as Walter Fontaine) |
Philip Leto | ... | hairdresser |
Robert Philippe | ... | make-up |
Production Management
Preston Collins | ... | in charge of production |
Sidney J. Kaufman | ... | production executive |
Second Unit Director or Assistant Director
Dan Eriksen | ... | second unit director |
Janet Mokarzel | ... | assistant director |
Bob Rogers | ... | second assistant director |
Art Department
Karl Brainard | ... | property master |
William Lucneck | ... | set painter |
Sound Department
Al Gramaglia | ... | re-recording mixer (as Albert Gramaglia) |
Hal Holck | ... | sound operator |
Bud Nolan | ... | sound effects |
Robert Ryan | ... | sound operator |
Camera and Electrical Department
Guy Galloway | ... | key grip |
R.L. Speed Johnson | ... | grip |
Spec Jones | ... | camera operator |
Clifford H. Poland Jr. | ... | additional photography (as Clifford Poland) |
Norman Popiel | ... | lighting technician |
Harry Walsh Jr. | ... | cameraman |
Mike Freeman | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Robert Magahay | ... | costumes |
Music Department
Gary McFarland | ... | conductor / music arranger |
Bobby Scott | ... | music arranger and conductor |
Script and Continuity Department
Jill Murphy | ... | script supervisor |
Additional Crew
Rudy Franchi | ... | unit publicist |
Marvin Hodges | ... | technical advisor |
Julie Morgan | ... | assistant to producer |
Jack Myers | ... | technical advisor |
Marie Runyon | ... | production associate |
Iris Sawyer | ... | production associate |
Ferdinand Zogbaum | ... | production associate |
Mimi Zogbaum | ... | wrangler |
Production Companies
- Slaves Company (copyright)
- Theatre Guild
- Walter Reade Organization (in association with)
Distributors
- Continental Distributing (1969) (United States) (theatrical)
- Anglo-Amalgamated Film Distributors (1970) (United Kingdom) (theatrical)
Special Effects
Other Companies
- 8 Track Recording Co. (sound recording)
- F. Hillsberg (title design)
- Film Opticals (opticals)
- Galerie Kamer (African sculptures) (Alan Brandt, consultant)
- Joseph Wolhandler Associates (press representation)
- Kaufman and Kolack (production accountant)
- Recording Studios, Inc. (sound re-recording)
- Richelieu, New York (Miss Warwick's African jewelry)
- Ross-Gaffney Inc. (sound effects)
Storyline
Plot Keywords | |
Taglines | The tamings...The desires...The furies...of the Old South! See more » |
Genres | |
Parents Guide | Add content advisory for parents » |
Certification |
Additional Details
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Did You Know?
Trivia | This was the final film directed by Herbert J. Biberman before his death on June 30, 1971 at the age of 71. See more » |
Movie Connections | Featured in Afro Promo (1997). See more » |
Soundtracks | Slaves See more » |
Quotes |
MacKay:
[in a room filled with African artifacts, he is addressing owners and attendant servants]
We'd better all understand this darkie we own, gentlemen. He's the only self-reproducing machine in the world. Gotta know how to run it. I first met him in Africa, as a young man, when I ran a ship in the illegal slave-running trade, before I settled down here in the very legal, slave-driving, cotton trade. MacKay: [to the servants] Boys, attend to the gentlemen. MacKay: [he continues] I packed blacks into my ship until you couldn't walk the decks. Every morning we threw the dead and the rebellious overboard. They were not easy those voyages. But we could turn a profit if we got 40% of them here alive. MacKay: [he continues] My library is always at your disposal. Volumes on all the aspects of human slavery. But I can spell it for you in this one, magnificent sculpture or in one story which tells all one needs to know about the human being, in slavery or out. In the African trade, I met an old chief. I bought many of his people from him. Discussing handling slaves, he said "Captain, in the soul of a free man, a little slavery and a lot weigh the same. So they do in the soul of a slave. So when you chain him, just as well chain him firm." Brilliant man! He was as black as coal. He'd find your views, Mr. Bennett, romantic; dangerous. MacKay: [he continues] I know you all wonder why I keep these things in my house. They make you uncomfortable. Me too. That's why I keep them here. Ivory, stone, wood, bronze. MacKay: [to Luke] Don't gawk, boy. Get that tray filled. Boy! Did you hear me? Luke: Yes, Master. MacKay: Don't talk back to me. Replenish the tray. MacKay: [he continues] I just ordered a darkie out of this room. Do you know anything about him? From his facial characteristics, his people probably came from the Songhai tribe, the area around Timbuktu. Three hundred years ago, they had a university there where the most delicate operations were performed for cataracts of the eye. People came from all over the world to have their sight restored by these extraordinary, black surgeons. I believe origins can crop up even after ten generations - unless they get weeded out. What do we create? Surgeons? Sculptors? Or niggers? See more » |