The Lion in Winter (1968)

1183 A.D.: King Henry II's three sons all want to inherit the throne, but he won't commit to a choice. They and his wife variously plot to force him.

Director:

Anthony Harvey

Writers:

James Goldman (screenplay), James Goldman (play)

Stars:

Peter O'Toole, Katharine Hepburn, Anthony Hopkins

Won 3 Oscars. Another 12 wins & 18 nominations.

Cast

Cast overview, first billed only:
Peter O'Toole	...	Henry II
Katharine Hepburn	...	Eleanor of Aquitaine
Anthony Hopkins	...	Richard
John Castle	...	Geoffrey
Nigel Terry	...	John
Timothy Dalton	...	Philip II
Jane Merrow	...	Alais
Nigel Stock	...	William Marshal
Kenneth Ives	...	Queen Eleanor's Guard
O.Z. Whitehead	...	Bishop of Durham
Fran Stafford	...	Lady in Waiting
Ella More	...	Lady in Waiting
Kenneth Griffith	...	Strolling Player
Henry Woolf	...	Strolling Player
Karol Hagar	...	Strolling Player

Storyline

It's Christmas 1183, and King Henry II is planning to announce his successor to the throne. The jockeying for the crown, though, is complex. Henry has three sons and wants his boy Prince John to take over. Henry's wife, Queen Eleanor, has other ideas. She believes their son Prince Richard should be king. As the family and various schemers gather for the holiday, each tries to make the indecisive king choose their option.

---

Plot Keywords:

king henry ii | extramarital affair | british royal family | royalty | husband wife relationship | 

---

Taglines:

The most significant reserved seat attraction of the year!

---

Genres:

Biography | Drama | History

---

Certificate:

PG

Details

Country:

UK USA

Language:

English

Release Date:

30 October 1968 (USA)

Also Known As:

El león en invierno

Filming Locations:

Abbaye de Montmajour, Arles, Bouches-du-Rhône, France

Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$5,339, 16 December 2016, Limited Release

Gross USA:

$22,276,975, 20 January 2017

Company Credits

Production Co:

Haworth Productions

Technical Specs

Runtime:

134 min 137 min (70 mm)

Sound Mix:

70 mm 6-Track (70 mm prints) Mono (35 mm prints)

Color:

Color (Eastmancolor) (uncredited)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

In spite of her stern warnings, Katharine Hepburn enjoyed Peter O'Toole and his work tremendously. She said his vigor and energy helped restore her own vitality, at a time when she really needed it.

---

Goofs

For a moment Eleanor appears in front of Henry and Alais. Then she puts her hands one on the other, about her breast, and says to Henry she wants to watch him to kiss Alais. In the following shot her hands had changed position.

---

Quotes

[first lines]
Henry II: Come for me!

---

Alternate Versions

The roadshow release included an overture and entr'acte, and had an intermission, but the general release version did not.

---

Connections

Referenced in Horror Business (2005)

User Reviews

More TRUE than a factual documentary could accomplish

It's been eight years since I first saw this movie, and it is still my personal live-action gold standard (Lilo & Stitch being my animated film gold-standard). It combines drama, tragedy, razor-sharp comedy, great performances, and the best dialogue that has ever been spoken on film, period.

I found this movie quite by accident--I was a sixteen-year-old with a Katharine Hepburn fixation. She mesmerized me; I wanted to BE her--smart, beautiful, sexy, and unwilling and unable to take anything off of anybody (except for Spencer Tracy, but that's another story). Honestly, I had no idea that there really had been such a person as Eleanor until I saw this movie. After watching my heroine portray her, I was determined to find out, though...so I have Katharine Hepburn to thank for my discovery of a new personal hero, and for my passion for medieval history.

It is true that this movie is not 100% factually accurate, not only because movie making dictates tinkering with history to create an interesting film, but also because, unfortunately, not too much is known about Eleanor herself. In the middle ages, women, even powerful, intriguing women like Eleanor, were not considered "important" enough to merit full biographical treatment. Most of Eleanor's history is recorded in the context of her sons and husbands. A good deal of this history was written by her detractors--people who disliked or disapproved of her for one reason or another. The simple explanation is that they felt that as a woman, she overstepped the bounds of what was considered "acceptable behavior" for a woman of the period.

That being said, this movie is 100% spiritually accurate. It perfectly captures the intrigue, the complexity of emotions and relationships, and tone of the age and the situation at hand. Though the sharp and witty dialogue is often considered a historical anachronism, this is not strictly true. Contrary to popular belief, people WERE educated in the middle ages, even women, if they were fortunate enough to be brought up in noble households, as Eleanor was. She was a brilliant woman, raised in a household where poetry and intelligent conversation were staples (her grandfather, after all, was one of the first troubadours). Henry was an intellectual powerhouse as well--he was a voracious reader who was often caught reading in church instead of paying attention to the sermons! It is unthinkable that these two minds would have produced stupid children, and the notion that the entire family should have only spoken in grunts and simple phrases is equally ludicrous.

Though not historically accurate, as other reviewers have noted, the strength of this movie lies in it's perfect portrayal of some of the most fascinating and complex personalities in recorded history. Henry, Eleanor, Richard, et al., make today's political and royal figures seem like low-rent bumbling hucksters.