Even though the casting of this movie distracted me (leads Harry Guardino and Bradford Dillman, as well as "bad guy" Pat Hingle were all staples of various Clint Eastwood movies of the '70's and '80's), I legitimately couldn't imagine anyone else besides these three uniquely charismatic actors in their roles! Even though the movie was a supposed reworking of the Gregory Peck film "Mirage", this picture totally stands on its own as a showcase for lifelong character actors, here in starring roles, who showed, without a shadow of a doubt, that stardom was clearly where they deservedly belonged! Aside from the previously mentioned, gloriously talented actors, there was also on hand the supremely skilled Hope Lange, and the phenomenally talented, insanely mesmerizing Diana Hyland (here, as Guardino's wife)! Throw in exceedingly competent, suspenseful direction by the veteran helmer James Goldstone, and what emerges is a below-the-radar, audience-pleasing masterpiece that is every bit as memorable as the "big-ticket" feature film it supposedly copied!
10 Reviews
A fever dream of a movie
gridoon202413 December 2023
"Jigsaw" (1968) is not entirely successful, but it is unconventional enough to be interesting. It is a weird, paroxysmic whodunit with a gripping start (a man comes to his senses in someone else's apartment, with blood on his hands and a dead body in the bathtub, and cannot remember anything, even his own name), lots of experimental, rapid-fire editing, and not one but two LSD-fueled hallucinatory sequences. Bradford Dillman gives such a hyper-intense performance that you think he might burst into flames at any point; Harry Guardino is funny as his private-eye sidekick with Bogey as his idol. **1/2 out of 4.
Too Hot for TV!
bwaynef30 April 2003
A remake of 1965's "Mirage" updated for the late 60s by making LSD more important to the plot than amnesia (Gregory Peck's "problem" in the earlier film). "Jigsaw" was actually produced by Universal as a TV movie, but like their earlier remake of "The Killers," it was released theatrically instead (but only briefly--in Cleveland, Ohio, it was brought in as a supporting feature for United Artists's "Hang 'Em High" at the Hippodrome theater when the latter film was in its final weeks). Like "The Killers," it turned up on NBC shortly thereafter. If it isn't as good as "Mirage," it isn't bad at all, although like a lot of Universal product at the time, its attempts to recreate contemporary youth culture looks very dated (I refer you to the discoteque sequence in the same year's "Coogan's Bluff"). Bradford Dillman is good in the role originally played by Peck, and Harry Guardino is better in Walter Matthau's private eye role. Michael J. Pollard, still very prominent in the public eye at the time thanks to the endless re-issues of "Bonnie and Clyde," also turns up, and his presence was a key selling point in the advertising campaign.
TV-intended reworking of "Mirage"...updated with nuclear asides and LSD
moonspinner5527 July 2009
Bradford Dillman plays a scientist who wakes up one morning in the middle of a bloody crime scene; having partial amnesia (or "global amnesia", which one character claims to define as elective loss of memory), the scientist finds a private detective in the phone book in the hopes of piecing his life back together. Abhorrent concoction very loosely based on Walter Ericson's book "Fallen Angel" (filmed in 1965 as "Mirage" with Gregory Peck). It was probably too racy for television--what with drugs and hippies added to the mix--that NBC initially refused to air it, which is how this low-budgeter wound up in theaters. Director James Goldstone gets freaky with the hyperkinetic visuals and camera-tricks, while editor Edward A. Biery goes wild with the zig-zag cuts. Unfortunately, their admittedly-colorful gimmicks cannot cover up the weaknesses of this updated plot, and the acting is woefully overripe. Dillman, under pressure to recall the events of the night in question, goes through an Actor's Seminar of tics, stammers, nose-wipes, and crazy half-laughs while spitting out dialogue like, "Dream...a dream...drugs...yeah, drugs...that SOUND...bells...help!" As a villainous fellow scientist with a Cheshire Cat smile, Pat Hingle nearly upstages Dillman in the Grand Thespian department by continually addressing everyone in baby-talk, strutting about like a middle-aged peacock and twisting his mouth around in agony. Hope Lange's scientist/love-interest is given the short shrift, but not before she screams at indifferent-lover Dillman: "What do I have to do, talk Ape Man? Me want You!" This is one frantic "Jigsaw"! *1/2 from ****
dated, with as much life as a limp handshake
norbc12 August 2003
I doubt Jigsaw was hip even at the time, the whole LSD theme married to a murder mystery being a patently obvious attempt to grab a young audience of the era without in the least truly showing any understanding of the sixties counterculture. The dated aspect aside, Jigsaw suffers from many problems, including overwrought acting, silly and stilted dialogue, LSD flashbacks that go on interminably long even after the point has been hammered home in the first 60 seconds, a failure to create any true suspense even though the actual plot is, on paper, a great vehicle to do just that, and an ending that is so trite and predictable (not to mention reminiscent of a lot of bad television shows) that the climax is actually an anti-climax. If it was a better movie, we might be able to suspend disbelief on a few things where it would help enjoyment, but the weaknesses are so glaring they only serve to highlight the improbabilities viewers might otherwise overlook. I saw Jigsaw on television and it is definitely late night TV fare meant to fill airspace and pass the time to kill somebody's insomnia rather than anything anybody ought to actively seek out. At very best, a three out of 10.
Jigsaw
BandSAboutMovies4 March 2021
Warning: Spoilers
Look, if you wake up from a trip and you find a girl dead in the bathtub, you should probably not hire a detective and trip out all over again.
A remake of 1965's Mirage with a drug angle, this movie finds Bradford Dillman as Jonathan Fields as the man who has woken up to find that dead body in the bathwater and bloody hands. He hired a detective named Arthur Belding (Harry Guardino, Rollercoaster) to discover the truth.
Meanwhile, the truth lies with the scientific think tank where Fields works, where a romantic entanglement and the need to succeed has led to a double homicide.
Look for Diana Hyland, who began dating John Travolta after playing his mother in The Boy in the Plastic Bubble*, as well as Hope Lange (TV's The Ghost & Mrs. Muir), Pay Hingle (Commissioner Gordon from the Burton Batman movies), Michael J. Pollard (Bonnie and Clyde) and Victor Jory, who was the voice on so many Peter Pan Records.
Director James Goldstone would go on to make Rollercoaster, They Only Kill Their Masters and When Time Ran Out, a late in the game disaster movie. Strangely, this was due to be a TV movie, but NBC refused to air it. Universal released it in theaters and a year later, NBC ended up airing it anyway.
*She sadly died of breast cancer the following year and Travolta remained with her until the end.
A remake of 1965's Mirage with a drug angle, this movie finds Bradford Dillman as Jonathan Fields as the man who has woken up to find that dead body in the bathwater and bloody hands. He hired a detective named Arthur Belding (Harry Guardino, Rollercoaster) to discover the truth.
Meanwhile, the truth lies with the scientific think tank where Fields works, where a romantic entanglement and the need to succeed has led to a double homicide.
Look for Diana Hyland, who began dating John Travolta after playing his mother in The Boy in the Plastic Bubble*, as well as Hope Lange (TV's The Ghost & Mrs. Muir), Pay Hingle (Commissioner Gordon from the Burton Batman movies), Michael J. Pollard (Bonnie and Clyde) and Victor Jory, who was the voice on so many Peter Pan Records.
Director James Goldstone would go on to make Rollercoaster, They Only Kill Their Masters and When Time Ran Out, a late in the game disaster movie. Strangely, this was due to be a TV movie, but NBC refused to air it. Universal released it in theaters and a year later, NBC ended up airing it anyway.
*She sadly died of breast cancer the following year and Travolta remained with her until the end.
Unexpected Pleasure
sinuous19 April 2004
Definitely screams '60's Universal Studio Telefilm', but if you liked the looks of those pictures (as I do), this is a well photographed, directed and acted little picture. Bradford Dillman, that Olivier of the B's, starred, but Pat Hingle and Harry Guardino had the tastier roles. James Goldstone directed -- he had one of the cleanest, most recognizable styles of late sixties contract directors, though his name is barely known.
The story is a very loose remake of Mirage, the 1960 Gregory Peck vehicle, but it is really another picture entirely. If you've seen the one, you have not seen the other.
Jigsaw swims simultaneously in alienation, paranoia, 60's technicolor psychedelia, and general cold war fear and loathing. The surprise ending is a visual gas, the cinematic equivalent of an acid flashback. It deserves a look if it ever shows up on the tube. In these more modern times of alienation, paranoia, and fear and loathing, an entertaining, slightly fluffy reminder that we've already met the enemy and he is STILL us.
The story is a very loose remake of Mirage, the 1960 Gregory Peck vehicle, but it is really another picture entirely. If you've seen the one, you have not seen the other.
Jigsaw swims simultaneously in alienation, paranoia, 60's technicolor psychedelia, and general cold war fear and loathing. The surprise ending is a visual gas, the cinematic equivalent of an acid flashback. It deserves a look if it ever shows up on the tube. In these more modern times of alienation, paranoia, and fear and loathing, an entertaining, slightly fluffy reminder that we've already met the enemy and he is STILL us.
Suspense - Drugs and Rock'n roll in sixties
sylvain-verreault2 April 2008
I saw this great movie at TV late in the night when i was young in the 70's. And it was absolutely fantastic and very intriguing to see the sequence of this story of a person amnesiac.
The story is very suspenseful and the actors are all excellent.
The directing is perfect.
If you are avid thriller, I strongly recommend it for you, although the film is extremely rare currently.
I possess a copy VHS that is in French, but i hope one day there will be a release in DVD.
I hope so. I give a 10 for this good effort.
The story is very suspenseful and the actors are all excellent.
The directing is perfect.
If you are avid thriller, I strongly recommend it for you, although the film is extremely rare currently.
I possess a copy VHS that is in French, but i hope one day there will be a release in DVD.
I hope so. I give a 10 for this good effort.
an interesting film with a sixties flavor sadly unavailable
brodksy5 November 2004
I originally saw this film when it was first shown on commercial TV in the seventies and again in the mid eighties, but not in the theater. It seemed to be cut very badly to fit commercials...I found it very enjoyable with excellent acting and an interesting plot. It has never been available on video or DVD maybe due to licensing or a perception of low consumer interest by Universal. (If anyone has a copy in either format, let me know.) I don't think it's been shown on TV in at least 20 years. Most people I've talked to have never heard of it despite what I consider an all star cast including Hope Lange, Bradford Dillman, Pat Hingle, and Harry Guardino. I look forward to seeing it uncut someday.
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