Etienne makes a good living out of marrying off poor but titled young men to rich but untitled young ladies. Millicent is now in his sights on the Riviera, and Grand Duke Gaspar is the bait... See full summary »
Financial wizard "Doc" Fletcher (Michael Caine) is sent by crime boss Joe Fiore (Martin Balsam) to buy a bank in Switzerland in order to more easily launder their profits. When he arrives, ... See full summary »
Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
When 5 allied generals are captured in Italy in WW II, it is a propaganda nightmare for the Allies. The generals are all 1 star and refuse to take orders from each other in order to plan an... See full summary »
A woman is found murdered in a house along the coast from Brighton. Local detectives Fellows and Wilks lead an investigation methodically following up leads and clues mostly in Brighton and... See full summary »
Cletus is a compulsive liar. He prefers the term 'fabrication' to lie though. When Cletus becomes a social worker he's assigned the case of a boy called Jorge (with a 'J') who was taken ... See full summary »
Definitely screams '60's Universal Studio Telefilm', but if you liked the looks of those pictures (as I do), this is a well photographed, directed and acted little picture. Bradford Dillman, that Olivier of the B's, starred, but Pat Hingle and Harry Guardino had the tastier roles. James Goldstone directed -- he had one of the cleanest, most recognizable styles of late sixties contract directors, though his name is barely known.
The story is a very loose remake of Mirage, the 1960 Gregory Peck vehicle, but it is really another picture entirely. If you've seen the one, you have not seen the other.
Jigsaw swims simultaneously in alienation, paranoia, 60's technicolor psychedelia, and general cold war fear and loathing. The surprise ending is a visual gas, the cinematic equivalent of an acid flashback. It deserves a look if it ever shows up on the tube. In these more modern times of alienation, paranoia, and fear and loathing, an entertaining, slightly fluffy reminder that we've already met the enemy and he is STILL us.
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