Etienne makes a good living out of marrying off poor but titled young men to rich but untitled young ladies. Millicent is now in his sights on the Riviera, and Grand Duke Gaspar is the bait... See full summary »
A prisoner of war working at a zoo gets the chance to escape from the Germans, so he does and he takes with him the elephant that he's been caring for. Together they head for the Swiss border and freedom.
Michael J. Pollard
The plot is about a guile young terrorist who is able to blackmail a series of companies by placing home-made radio controlled bombs within the central attraction of amusement parks; roller... See full summary »
There is an on-going battle of industrial espionage between rival cosmetics companies, Femina, owned by Sir Jason Fox, and May Fortune, owned by Matthew Cutter. Caught in the middle between... See full summary »
Mystery abounds when it is discovered that, one by one, the greatest Chefs in Europe are being killed. The intriguing part of the murders is that each chef is killed in the same manner that... See full summary »
A woman is found murdered in a house along the coast from Brighton. Local detectives Fellows and Wilks lead an investigation methodically following up leads and clues mostly in Brighton and... See full summary »
Blue and Eli, two friends, have problems with women. Blue, a yet-to-be discovered painter is left by his longtime girlfriend, because she considers him too immature for a longlsting ... See full summary »
I doubt Jigsaw was hip even at the time, the whole LSD theme married to a murder mystery being a patently obvious attempt to grab a young audience of the era without in the least truly showing any understanding of the sixties counterculture. The dated aspect aside, Jigsaw suffers from many problems, including overwrought acting, silly and stilted dialogue, LSD flashbacks that go on interminably long even after the point has been hammered home in the first 60 seconds, a failure to create any true suspense even though the actual plot is, on paper, a great vehicle to do just that, and an ending that is so trite and predictable (not to mention reminiscent of a lot of bad television shows) that the climax is actually an anti-climax. If it was a better movie, we might be able to suspend disbelief on a few things where it would help enjoyment, but the weaknesses are so glaring they only serve to highlight the improbabilities viewers might otherwise overlook. I saw Jigsaw on television and it is definitely late night TV fare meant to fill airspace and pass the time to kill somebody's insomnia rather than anything anybody ought to actively seek out. At very best, a three out of 10.
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