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Andrei Rublev (1966)

Andrey Rublev (original title)
The life, times and afflictions of the fifteenth-century Russian iconographer St. Andrei Rublev.

Director:

Andrei Tarkovsky (as Andrey Tarkovskiy)

Writers:

Andrey Konchalovskiy (as Andrey Mikhalkov-Konchalovskiy), Andrei Tarkovsky (as Andrey Tarkovskiy)
Reviews
Popularity
4,381 ( 65)

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Cast

Cast overview, first billed only:
Anatoliy Solonitsyn ... Andrey Rublev
Ivan Lapikov ... Kirill
Nikolay Grinko ... Daniil Chyornyy
Nikolay Sergeev ... Feofan Grek
Irina Tarkovskaya ... Durochka (as Irma Raush)
Nikolay Burlyaev ... Boriska
Yuriy Nazarov ... Velikiy knyaz, Malyy knyaz
Yuriy Nikulin ... Patrikey, monakh (as Yu. Nikulin)
Rolan Bykov ... Skomorokh (as R. Bykov)
Nikolay Grabbe ... Stepan, sotnik Velikogo knyazya (as N. Grabbe)
Mikhail Kononov ... Foma, monakh (as M. Kononov)
Stepan Krylov ... Starshiy liteyshchik (as S. Krylov)
Bolot Beyshenaliev ... Tatarskiy khan (as B. Beyshenaliev)
B. Matysik B. Matysik ... Pyotr
Anatoliy Obukhov ... Aleksey, monakh (as A. Obukhov)
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Storyline

Andreiv Rublev charts the life of the great icon painter through a turbulent period of 15th Century Russian history, a period marked by endless fighting between rival Princes and by Tatar invasions. Written by L.H. Wong <as9401k56@ntuvax.ntu.ac.sg>

Plot Summary | Plot Synopsis


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Soviet Union

Language:

Russian | Italian | Tatar

Release Date:

October 1973 (USA) See more »

Also Known As:

Andrei Rublev See more »

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Box Office

Budget:

RUR1,000,000 (estimated)

Opening Weekend USA:

$11,537, 15 September 2002

Gross USA:

$124,189

Cumulative Worldwide Gross:

$145,491
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(re-edited) | (re-edited) | (2004 re-release) | (original length) | (UK) | (Blu-ray)

Sound Mix:

Mono

Color:

Color (Sovcolor)| Black and White

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film was remade and re-edited from the 1966 film titled The Passion According to Andrei by Tarkovsky (this version was published as a DVD by the Criterion Collection in 2018) which was censored during the first decade of the Brezhnev era in the Soviet Union. See more »

Goofs

The smoothly-cut logs that feature many times in the early scenes are clearly cut with machinery not available in the early fifteenth century. See more »

Quotes

Kirill: Rejoice, O young man, in thy youth and the thy heart cheer thee in the days of thy youth. Walk in the ways of thine heart, and in the sight of thine eyes but know that for all these God will bring thee into judgment. Remember now thy Creator in the days of thy youth before the difficult days come and the years draw nigh when thou shalt say "I have no pleasure in them." Remember thy creator before the silver cord be loosed, or the golden bowl be broken or the pitcher shattered at the fountain or...
See more »

Alternate Versions

When released in the UK, the sight of a horse falling off a staircase was cut from this title. See more »

Connections

Referenced in Life as a Dream (2007) See more »

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User Reviews

 
Arguably the greatest film ever.
1 February 2005 | by heptaparaparshinokhSee all my reviews

Considering the great quantity of films in existence, there are very few that even come close to being considered the greatest of all time. Having seen my share of 'masterpieces' I have come to regard Andrei Rublev as the greatest of them all, although I admit that this is debatable. Nonetheless, this film seems to be stigmatized as being too long or boring - maybe because it's by Tarkovksy, or that it's black and white, or that it's Russian - I really don't know where this comes from. If you can get past any preconceived notions of what the movie is going to be like,and just sit down for a few seconds and watch it, you will probably be able to see from the beginning that this is an extremely important, unmissable film - not to mention captivating and exciting, although very dark and disturbing throughout. The amount of skill and thought, and work that went into this film echoes within the timeless imagery that the director has created. Any serious fan of the cinema would be doing themselves a serious disservice by avoiding this movie any longer. If you interested in the works of Gurdjieff and Ouspensky, you'll be able to take something of another level from this film, as there are many subtle references and parallels to their writings and teachings throughout this movie. It could be argued that the film itself is a cinematic representation of the law of three. Regardless, this is a truly extraordinary thing to behold.


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