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The Man Who Shot Liberty Valance (1962)

Not Rated | | Drama, Western | 22 April 1962 (USA)
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A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed.

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(screenplay), (screenplay) | 1 more credit »
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Nominated for 1 Oscar. Another 4 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Tom Doniphon
... Ransom Stoddard
... Hallie Stoddard
... Liberty Valance
... Dutton Peabody
... Link Appleyard
... Doc Willoughby
... Maj. Cassius Starbuckle
... Nora Ericson
... Peter Ericson
... Jason Tully - Conductor
... Maxwell Scott
... Pompey
... Amos Carruthers
... Floyd
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Storyline

When Senator Ransom Stoddard returns home to Shinbone for the funeral of Tom Doniphon, he recounts to a local newspaper editor the story behind it all. He had come to town many years before, a lawyer by profession. The stage was robbed on its way in by the local ruffian, Liberty Valance, and Stoddard has nothing to his name left save a few law books. He gets a job in the kitchen at the Ericson's restaurant and there meets his future wife, Hallie. The territory is vying for Statehood and Stoddard is selected as a representative over Valance, who continues terrorizing the town. When he destroys the local newspaper office and attacks the editor, Stoddard calls him out, though the conclusion is not quite as straightforward as legend would have it. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Together For The First Time - James Stewart - John Wayne - in the masterpiece of four-time Academy Award winner John Ford See more »

Genres:

Drama | Western

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 April 1962 (USA)  »

Also Known As:

Un tiro en la noche  »

Filming Locations:

 »

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Box Office

Budget:

$3,200,000 (estimated)

Gross USA:

$7,891,143, 31 December 1963
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Final film of 'Snub' Pollard. See more »

Goofs

On the night of the gunfight when Mr. Pebody leaves the newspaper office to refill his jug of "courage" he blows out the lantern and the room goes dark.As it does we see light from outside stream in through the windows and fall on the wall behind him but the light that hits the right side hits the wall a moment or two before the light hits on the left side. In actuality both sides should have shown up at the same time as the room darkened. See more »

Quotes

[first lines]
Ransom Stoddard: [descending from railway carriage and consulting pocket watch] Thanks, Jason. On time.
See more »

Connections

Referenced in The Lone Ranger (2013) See more »

Soundtracks

Home on the Range
(1904) (uncredited)
Music by Daniel E. Kelley
Played in the score
See more »

Frequently Asked Questions

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User Reviews

 
"This is the west, sir. When the legend becomes fact, print the legend".
2 August 2007 | by See all my reviews

"This is the west, sir. When the legend becomes fact, print the legend". - Maxwell Scott, The Man Who Shot Liberty Valance In John Ford's most mournful tale, the legendary director asks the question "How did this present come to be? Just how did an inferior race of men whose only weapon was that of law and books defeat the old gunslingers of the great West? Just what exactly happened to the Western heroes portrayed by John Wayne when law and order came to town? How did the wilderness turn into a garden? In The Man Who Shot Liberty Valance, John Ford depicts a world where everyone has got everything they wanted, but nobody seems happy with it… sound familiar to anyone? Senator Ransom Stoddard (James Stewart) arrives to Shinbone on a train with his wife Hallie (Vera Miles) to visit the funeral of an old friend named Tom Doniphon (John Wayne, remarkably the film opens where this iconic star is dead). The newspaper men have never heard of him, so why would such a powerful political figure visit the town to attend this funeral of a "nobody"? Through the use of a flashback, Stoddard tells us the tale of how he came to the town as a young lawyer but was immediately attacked by the psychotic villain Liberty Valance (terrifyingly played by Lee Marvin) who teaches him "Western law". The rest of the film tells the tale of how the man of books eventually defeated the race of the gunslinger and what sacrifices had to be made for that to happen.

In truth, The Man Who Shot Liberty Valance is more of a melodrama than a Western. Gone are the vibrant landscapes of Ford's landmark movie The Searchers six years earlier, which was so proudly promoted as being in VISTAVISION WIDESCREEN COLOR and instead the film has given way to a bleak, claustrophobic black and white tale, with so many enclosed sets and not one shot of Monument Valley.

There's a lack of a real bar scene, lack of shots of the landscape, lack of horses, lack of gunfights. It's a psychological Western, probably unlike anything ever filmed until maybe Clint Eastwood's Unforgiven.

Why is this movie so good then? In basic terms, it's about the sadness of progression and without giving way too much away the film tells a remarkable tale which truly does examine what Ford's view of the West as promoted in his earlier work truly meant. It's a tragic and pessimistic movie but it's a rewarding one, with huge replay value and one that leaves you with so many more questions than it does answers.

Do we prefer the legendary tale of our heroes or the truth? Are tales of people such as 'The Man With No Name' just more interesting than Wyatt Earp? Is living a lie as a successful guy better or worse than quietly dying as a hero? The Man Who Shot Liberty Valance is one of the most complex Westerns that has ever been put on film and is a remarkable film when you consider it was directed by a guy who made his living telling grandeur tales of the American West. Well acted, very well written and is one of the most rewarding Westerns for replay value in the history of the genre.

Matt Holmes

www.obsessedwithfilm.com


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