
Another Time, Another Place (1958)
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- Approved
- 1h 31min
- Drama, Romance
- 06 Jun 1958 (Finland)
- Movie
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Cast verified as complete
Lana Turner | ... |
Sara Scott
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Barry Sullivan | ... |
Carter Reynolds
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Glynis Johns | ... |
Kay Trevor
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Sean Connery | ... |
Mark Trevor
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Terence Longdon | ... |
Alan Thompson
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Sidney James | ... |
Jake Klein
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Martin Stephens | ... |
Brian Trevor
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Doris Hare | ... |
Mrs. Bunker
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Julian Somers | ... |
Hotel Manager
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John Le Mesurier | ... |
Dr. Aldridge
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Cameron Hall | ... |
Alfy
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Jane Welsh | ... |
Jonesy
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Robin Bailey | ... |
Captain Barnes
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Bill Fraser | ... |
R.E. Sergeant
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Rest of cast listed alphabetically: | |||
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Jack Armstrong | ... |
Reporter (uncredited)
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Mabel Etherington | ... |
Woman at Inn (uncredited)
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Lee Fenton | ... |
Reporter (uncredited)
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Aidan Harrington | ... |
Man at Inn (uncredited)
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George Holdcroft | ... |
Reporter (uncredited)
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Colin McKenzie | ... |
RAF Officer (uncredited)
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Donald Morley | ... |
Journalist at Airport (uncredited)
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Douglas Muir | ... |
Card Player (uncredited)
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Stuart Saunders | ... |
Policeman in Steel Helmet (uncredited)
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Jack Silk | ... |
Airfield Security Guard (uncredited)
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Jeff Silk | ... |
Airfield Security Guard (uncredited)
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Lee Simmonds | ... |
Child (uncredited)
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George Spence | ... |
Ye Olde Shippe Tavern Patron (uncredited)
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Directed by
Lewis Allen |
Written by
Stanley Mann | ... | (screenplay) |
Lenore J. Coffee | ... | (novel) (as Lenore Coffee) |
Produced by
Lewis Allen | ... | producer |
Joe Kaufmann | ... | producer (as Joseph Kaufman) |
E.M. Smedley-Aston | ... | producer (as Smedley Aston) |
Lana Turner | ... | co-producer (uncredited) |
Music by
Douglas Gamley |
Cinematography by
Jack Hildyard | ... | director of photography |
Editing by
Geoffrey Foot |
Editorial Department
Peter Elliott | ... | second assistant editor (uncredited) |
Production Design by
Thomas N. Morahan | ... | (as Tom Morahan) |
Makeup Department
Anne Box | ... | hair stylist (as Ann Box) |
Stuart Freeborn | ... | makeup artist |
Production Management
John Workman | ... | production manager (as John F. Workman) |
Second Unit Director or Assistant Director
René Dupont | ... | assistant director (as Rene Dupont) |
John Comfort | ... | second assistant director (uncredited) |
Sound Department
Leslie Hodgson | ... | dubbing editor |
J.B. Smith | ... | sound recordist |
Gerry Turner | ... | sound recordist |
Camera and Electrical Department
James Bawden | ... | camera operator (as Jim Bawden) |
Lynda Swarbrick | ... | still photographer (uncredited) |
Costume and Wardrobe Department
Laura Nightingale | ... | wardrobe |
Music Department
Muir Mathieson | ... | conductor |
London Symphony Orchestra | ... | orchestra (uncredited) |
Script and Continuity Department
Lee Turner | ... | continuity |
Additional Crew
Del Armstrong | ... | assistant producer: Lanturn Productions |
Production Companies
Distributors
- Paramount British Pictures (1958) (United Kingdom) (theatrical)
- Paramount Pictures (1958) (United States) (theatrical) (as A Paramount Release)
- Afex Filmverleih (1958) (Austria) (theatrical)
- Film AB Paramount (1958) (Sweden) (theatrical)
- Metro (1958) (Norway) (theatrical)
- Paramount-Film (1958) (West Germany) (theatrical)
- Warner Home Video (2015) (United States) (DVD) (dvdr)
Special Effects
Other Companies
- Aquascutum of London (raincoats)
- The London Symphony Orchestra (LSO) (orchestra)
Storyline
Plot Summary |
In London, 1945, BBC radio correspondent Mark Trevor broadcasts to his listeners the details surrounding the disarmament of an unexploded German V-2 rocket. He is soon joined in the field by Sara Scott, a foreign correspondent for The New York Standard . The two journalists have been lovers for three weeks, and although Sara declares her undying love for him, Mark is hesitant to state his true affections for her. Later, in her hotel room, Mark tells Sara how he grew up in the small English village of St. Giles and joined the BBC prior to the outbreak of World War II, but Sara points out that eleven years are missing from his life story. After Mark finally professes his love, Sara confesses that she is engaged to her boss, American newspaper publisher Carter Reynolds. Before she can break her engagement, however, Mark admits that he is married. Carter then arrives in London on his way to Paris, and quickly recognizes the sudden alienation of Sara's affections. He offers to take her with him to Paris or back to New York, but the heartbroken Sara insists on staying in London until she can settle her personal life. Following the German army's surrender in Italy, Mark is transferred to Paris, but before he leaves, he and Sara have one final meeting at which they proclaim their eternal love to each other. The next morning, Carter rushes to be with Sara before the BBC announces Mark's death, as he was just killed in an airplane crash. Sara then suffers a nervous breakdown and is institutionalized in a nursing home for six weeks. With the war now over, Carter offers to send Sara home on an ocean cruise following her convalescence, but she decides takes a train to St. Giles before setting sail for America. Arriving in the seaside town, Sara is unable to find any accommodations, as the post-war surge in tourism has filled all the local inns, but she meets Mark's young son Brian by chance and is soon invited to dinner by her dead lover's unsuspecting widow Kay. Though Kay offers her lodgings for the night, the grief-stricken Sara cannot stand being surrounded by Mark's things and bolts from the home. The next morning, Sara is found on the docks unconscious and is carried back to Kay's house, where she is ordered to rest by the local physician. Kay then convinces Sara to stay on in St. Giles and write a book about Mark, still unaware that Sara was her husband's mistress. Later, Sara is shocked to see Alan Thompson, Mark's childhood friend and co-worker, who somehow survived the plane crash that took her lover's life. Though he promises to keep her secret, Alan asks Sara to leave St. Giles before Kay learns the truth about her relationship with Mark. Meanwhile, back in New York, Carter is informed by Dr. Aldridge, Sara's physician at the nursing home, of her current whereabouts, and he rushes to St. Giles in hopes of bringing Sara home. Upon their first meeting, Carter and Alan quickly realize that they are in similar positions, as they both love women who are in love with the same dead man. Following an evening at the cinema, Kay questions Alan about her husband's final weeks, and she soon surmises that Mark was having an affair. Learning this, Sara confesses all to Kay, but tells the widow that Mark had ended their affair and was planning to return to his wife and child. The next morning, Kay, relieved, rushes to the train station to say goodbye to a thankful Sara, who then promises to send Brian a photograph from the top of the Empire State building. |
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Did You Know?
Trivia | During the shooting of the movie in England, Sir Sean Connery was confronted by Johnny Stompanato, an ex-marine turned mob enforcer, who was in an abusive relationship with Lana Turner. At the time, Connery and Turner got along very well, so much that when Stompanato found out about it, he suspected that they were having an affair. Stompanato, who was notorious for his jealousy and violent tendencies, then stormed to the set and threatened Connery with a gun. But he quickly disarmed Stompanato and forced him from the set. Following that incident, Stompanato was deported by Scotland Yard. Shortly after he arrived in the USA, he met his end at the hands of Turner's teenage daughter Cheryl, who fatally stabbed him in self-defence while he was beating her mother. Connery, who was filming Darby O'Gill and the Little People (1959) at the time of the latter incident, behaved very cautiously when he walked the streets of Los Angeles, because it was rumoured that a mobster made him responsible for Stompanatos death. That caused him to avoid the USA for several years. See more » |
Goofs | The mink coat repeatedly worn by war correspondent Lana Turner is hardly the thing a person of her financial means would have been able to afford and is laughingly out of place in wartime London, and even if she did own it, would hardly have been so blatantly and casually displayed among her lesser paid co-workers, but none of them seem to notice or care. See more » |
Movie Connections | Referenced in Thunderball (1965). See more » |
Soundtracks | Another Time, Another Place See more » |
Quotes |
Kay Trevor:
Music has such a way of bringing back memories doesn't it? Does it remind you of anyone? See more » |