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1.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThree Charlie Chaplin short films edited together with new connective tissue.Three Charlie Chaplin short films edited together with new connective tissue.Three Charlie Chaplin short films edited together with new connective tissue.
Charles Chaplin
- Narrator
- (वॉइस)
Edna Purviance
- The Girl
- (आर्काइव फ़ूटेज)
Albert Austin
- Crook (segment "A Dog's Life")
- (आर्काइव फ़ूटेज)
- …
Henry Bergman
- Dance-hall Lady (segment "A Dog's Life")
- (आर्काइव फ़ूटेज)
- …
Kitty Bradbury
- Girl's Mother (segment "The Pilgrim")
- (आर्काइव फ़ूटेज)
Syd Chaplin
- Lunchwagon Owner (segment "A Dog's Life")
- (आर्काइव फ़ूटेज)
- (as Sydney Chaplin)
- …
Tom Murray
- Sheriff (segment "The Pilgrim")
- (आर्काइव फ़ूटेज)
Charles Reisner
- Employment Agency Clerk
- (आर्काइव फ़ूटेज)
- (as Chuck Reisner)
- …
Dean Riesner
- Little Boy (segment "The Pilgrim")
- (आर्काइव फ़ूटेज)
- (as Dinky Reisner)
Mack Swain
- Large Deacon (segment "The Pilgrim")
- (आर्काइव फ़ूटेज)
Loyal Underwood
- Small German Officer (segment "Shoulder Arms")
- (आर्काइव फ़ूटेज)
- …
Mai Wells
- Little Boy's Mother (segment "The Pilgrim")
- (आर्काइव फ़ूटेज)
- (as ?)
Jack Wilson
- CrownMan at the Bar (segment "A Dog's Life")
- (आर्काइव फ़ूटेज)
- …
Tom Wilson
- Policeman (segment "A Dog's Life")
- (आर्काइव फ़ूटेज)
- …
Phyllis Allen
- Congregation Member (segment "The Pilgrim")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Dave Anderson
- The Bartender (segment "A Dog's Life")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Bert Appling
- Unemployed Man (segment "A Dog's Life")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Monta Bell
- Policeman (segment "The Pilgrim")
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाTo achieve the feel of a modern print, Charles Chaplin stretch-printed the footage, which slowed it down to sound speed so music could be added properly.
- इसके अलावा अन्य वर्जनReissued in a version minus A DOG'S LIFE. Also, the A DOG'S LIFE segment was later reissued by itself. The DVD version includes extra scenes that Chaplin decided to cut on the films' re-release. It also contains the original scores as composed by Chaplin for the film. The scores were recorded in mono on the origianal soundtracks by the Westrex Recording System, but the original stereo tapes were used in the mastering of the soundtrack, recorded on Dolby Digital.
- कनेक्शनEdited from A Dog's Life (1918)
फीचर्ड रिव्यू
Classic revue
Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.
The short films that form 'The Chaplin Revue' ('A Dog's Life', 'The Pilgrim' and 'Shoulder Arms'), made when Chaplin had found his groove and building upon it, showed a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career. The Essanay and Mutual periods were something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in all three shorts forming 'The Chaplin Revue', hard to decide which is my personal favourite of three of his best short films and three of the best efforts of his relatively early career.
The stories are more discernible than before and are never dull, though sometimes a bit too busy and manic.
On the other hand, 'The Chaplin Revue' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious here in 'The Chaplin Revue'.
While not one of his most hilarious or touching, all three, especially 'Shoulder Arms' are still very funny with some clever, entertaining and well-timed slapstick and has substance and pathos in particularly 'A Dog's Life'. 'The Chaplin Revue' moves quickly and there is no dullness in sight.
Chaplin directs more than competently, if not quite cinematic genius standard yet in this period. He also, as usual, gives amusing and expressive performances and at clear ease with the physicality and substance of the roles. The supporting cast acquit themselves well in all three.
Overall, great as a representation of what Chaplin's appeal was. 9/10 Bethany Cox
The short films that form 'The Chaplin Revue' ('A Dog's Life', 'The Pilgrim' and 'Shoulder Arms'), made when Chaplin had found his groove and building upon it, showed a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career. The Essanay and Mutual periods were something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in all three shorts forming 'The Chaplin Revue', hard to decide which is my personal favourite of three of his best short films and three of the best efforts of his relatively early career.
The stories are more discernible than before and are never dull, though sometimes a bit too busy and manic.
On the other hand, 'The Chaplin Revue' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious here in 'The Chaplin Revue'.
While not one of his most hilarious or touching, all three, especially 'Shoulder Arms' are still very funny with some clever, entertaining and well-timed slapstick and has substance and pathos in particularly 'A Dog's Life'. 'The Chaplin Revue' moves quickly and there is no dullness in sight.
Chaplin directs more than competently, if not quite cinematic genius standard yet in this period. He also, as usual, gives amusing and expressive performances and at clear ease with the physicality and substance of the roles. The supporting cast acquit themselves well in all three.
Overall, great as a representation of what Chaplin's appeal was. 9/10 Bethany Cox
उपयोगी•10
- TheLittleSongbird
- 19 जुल॰ 2018
टॉप पसंद
वैयक्तिकृत सुझावों के लिए रेट करें और वॉचलिस्ट में साइन इन करें
- How long is The Chaplin Revue?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- The Chaplin Review
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- IMDbPro पर और कंपनी क्रेडिट देखें
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