Night and Fog (1956)
Nuit et brouillard (original title)Reference View | Change View
- TV-14
- 32min
- Documentary, Short
- Jan 1956 (France)
- Short
The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.
Director:
Writer:
Awards:
- 2 wins & 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Rest of cast listed alphabetically: | |||
Michel Bouquet | ... |
Narrator (uncredited) (voice)
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Reinhard Heydrich | ... |
Self (uncredited) (archiveFootage)
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Heinrich Himmler | ... |
Self (uncredited) (archiveFootage)
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Adolf Hitler | ... |
Self (uncredited) (archiveFootage)
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Julius Streicher | ... |
Self (uncredited) (archiveFootage)
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Directed by
Alain Resnais |
Written by
Jean Cayrol | ... | (commentary) |
Produced by
Anatole Dauman | ... | producer |
Samy Halfon | ... | producer |
Philippe Lifchitz | ... | producer |
Music by
Hanns Eisler |
Cinematography by
Ghislain Cloquet | ||
Sacha Vierny |
Editing by
Alain Resnais | ... | (uncredited) |
Editorial Department
Anne Sarraute | ... | assistant editor |
Production Management
Édouard Muszka | ... | production manager |
Second Unit Director or Assistant Director
André Heinrich | ... | assistant director (as André Heinreich) |
Jean-Charles Lauthe | ... | assistant director |
Chris Marker | ... | assistant director |
Sound Department
Jacqueline Chasney | ... | sound recordist |
Henri Colpi | ... | sound recordist |
Special Effects by
Henry Ferrand | ... | special effects |
Music Department
Georges Delerue | ... | conductor |
Script and Continuity Department
Chris Marker | ... | script editor (uncredited) |
Additional Crew
Henri Michel | ... | historical consultant |
Olga Wormser | ... | historical consultant |
Alexander Alan | ... | text: English version (uncredited) |
Production Companies
Distributors
- Gala Film Distributors (1960) (United Kingdom) (theatrical) (subtitled)
- The Criterion Collection (2004) (United States) (DVD) (subtitled)
- Aurora (2006) (Brazil) (DVD)
- Ripley's Home Video (2007) (Italy) (DVD)
- Umbrella Entertainment (2007) (Australia) (DVD) (subtitled)
- absolut MEDIEN (2015) (Germany) (DVD) (arte Edition)
- A Contracorriente Films (2016) (Spain)
- The Criterion Collection (2016) (United States) (DVD) (subtitled)
- absolut MEDIEN (2017) (Germany) (Blu-ray)
Special Effects
Other Companies
Storyline
Plot Summary |
One of the most vivid depictions of the horrors of Nazi Concentration Camps. Filmed in 1955 at several concentration camps in Poland, the film combines new color and black and white footage with black and white newsreels, footage shot by the victorious allies, and stills, to tell the story not only of the camps, but to portray the horror of man's brutal inhumanity.
Written by Bill Randolph |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | In the DVD re-release, there is a subtle but controversial difference in one of the still photographs of a Nazi concentration camp in southern France. In this version the distinctive profile of a French gendarme can be seen at one of the camps, implying that the French Vichy government of the time was aware of and perhaps involved in the management of the camps. This same photograph appears in the original version but the gendarme's profile was obscured at the insistence of the French government (who commissioned the film) when the film was in post-production. See more » |
Goofs | In the film a popular myth about the Third Reich is presented as fact: The claim that the body fat of prisoners in extermination camps was used to produce soap. Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore. See more » |
Movie Connections | Edited from Nazi Concentration and Prison Camps (1945). See more » |
Quotes |
Récitant/Narrator:
With our sincere gaze we survey these ruins, as if the old monster lay crushed forever beneath the rubble. We pretend to take up hope again as the image recedes into the past, as if we were cured once and for all of the scourge of the camps. We pretend it happened all at once, at a given time and place. We turn a blind eye to what surrounds us and a deaf ear to humanity's never-ending cry. See more » |