8.2/10
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118 user 129 critic

Rififi (1955)

Du rififi chez les hommes (original title)
Not Rated | | Crime, Thriller | 5 June 1956 (USA)
Trailer
1:52 | Trailer

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Four men plan a technically perfect crime, but the human element intervenes...

Director:

Jules Dassin

Writers:

Auguste Le Breton (novel), Jules Dassin (adaptation) | 3 more credits »
6 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Jean Servais ... Tony le Stéphanois
Carl Möhner ... Jo le Suedois
Robert Manuel Robert Manuel ... Mario Ferrati
Janine Darcey Janine Darcey ... Louise
Pierre Grasset Pierre Grasset ... Louis Grutter aka Louis le Tatoué
Robert Hossein ... Remi Grutter
Marcel Lupovici Marcel Lupovici ... Pierre Grutter
Dominique Maurin Dominique Maurin ... Tonio
Magali Noël ... Viviane
Marie Sabouret Marie Sabouret ... Mado les Grands Bras
Claude Sylvain Claude Sylvain ... Ida Ferrati
Jules Dassin ... Cesar le Milanais (as Perlo Vita)
Armandel Armandel ... Second Gambler
Alain Bouvette Alain Bouvette ... Footman, 'L'Age D'Or'
Alice Garan Alice Garan
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Storyline

After five years in prison, Tony le Stéphanois meets his dearest friends Jo and the Italian Mario Ferrati and they invite Tony to steal a couple of jewels from the show-window of the famous jewelry Mappin & Webb Ltd, but he declines. Tony finds his former girlfriend Mado, who became the lover of the gangster owner of the night-club L' Âge d' Or Louis Grutter, and he humiliates her, beating on her back for being unfaithful. Then he calls Jo and Mario and proposes a burglary of the safe of the jewelry. They invite the Italian specialist in safes and elegant wolf Cesar to join their team and they plot a perfect heist. They are successful in their plan, but the Don Juan Cesar makes things go wrong when he gives a valuable ring to his mistress. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

A Sensational New Motion Picture See more »

Genres:

Crime | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French | Italian | English

Release Date:

5 June 1956 (USA) See more »

Also Known As:

Rififi See more »

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Box Office

Opening Weekend USA:

$17,981, 23 July 2000, Limited Release

Gross USA:

$57,226, 29 November 2015
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Dassin, aiming for a dark and gloomy film with deep greys as the lightest it would get, refused to film on beautiful sunny days. This supposedly caused much frustration amongst the producers, no doubt because of the prolonged shoot which they saw as unnecessary. See more »

Goofs

When the "modest" Mario gets out of the bathtub, one can see briefly that he has boxer shorts on. See more »

Quotes

Mario Ferrati: [to Tony about Cesar] For a job with you he'll come. Cesar! There's not a safe that can resist Cesar and not a woman that Cesar can resist.
See more »

Alternate Versions

West German theatrical version was shortened by ca. 8 minutes (the poker scenes, the telephone scene with Jo and his wife, Mario's funeral, small dialogue scenes of Tony meeting various people, Tony finding Jo's corpse, Tony shooting an already dead gangster). This version was also broadcast on TV. See more »

Connections

Referenced in The Americans: Rififi (2018) See more »

Soundtracks

Le Rififi
Music by Philippe-Gérard
Lyrics by Jacques Larue
Performed by Magali Noël
See more »

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User Reviews

 
Pure gold standard...
6 July 2007 | by OliverTSee all my reviews

This film is a work of pure class from start to finish, for a moment forget the famous 28 minute no dialog heist, forget that it's set in Paris and forget it's Noir. The film itself, the premise and the execution make this a pure gold experience.. it's sharp intelligent and thought through in great detail, just like the heist itself. It portrays real characters that are not only believable but whom you empathize with. It's a film that doesn't glamorize the notion of a robbery but shows it for what it is.. theft. It shows that a heist is hard work and ultimately not worth doing. Now all things considered put on top of that a daring 28 minute sequence with not a word spoken and set in gorgeous Paris with truly great attention to detail and fantastic cinematography and that last scene ...when you look up and see those trees... wonderful use of raw and basic filming techniques... it is a master piece in my view and I'm glad to have seen it.


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