Rififi (1955)

Four men plan a technically perfect crime, but the human element intervenes...

Director:

Jules Dassin

Writers:

Auguste Le Breton (novel), Jules Dassin (adaptation)

Stars:

Jean Servais, Carl Möhner, Robert Manuel

6 wins & 1 nomination.

Cast

Cast overview, first billed only:
Jean Servais	...	Tony le Stéphanois
Carl Möhner	...	Jo le Suedois
Robert Manuel	...	Mario Ferrati
Janine Darcey	...	Louise
Pierre Grasset	...	Louis Grutter aka Louis le Tatoué
Robert Hossein	...	Remi Grutter
Marcel Lupovici	...	Pierre Grutter
Dominique Maurin	...	Tonio
Magali Noël	...	Viviane
Marie Sabouret	...	Mado les Grands Bras
Claude Sylvain	...	Ida Ferrati
Jules Dassin	...	Cesar le Milanais (as Perlo Vita)
Armandel	...	Second Gambler
Alain Bouvette	...	Footman, 'L'Age D'Or'
Alice Garan

Storyline

After five years in prison, Tony le Stéphanois meets his dearest friends Jo and the Italian Mario Ferrati and they invite Tony to steal a couple of jewels from the show-window of the famous jewelry Mappin & Webb Ltd, but he declines. Tony finds his former girlfriend Mado, who became the lover of the gangster owner of the night-club L' Âge d' Or Louis Grutter, and he humiliates her, beating on her back for being unfaithful. Then he calls Jo and Mario and proposes a burglary of the safe of the jewelry. They invite the Italian specialist in safes and elegant wolf Cesar to join their team and they plot a perfect heist. They are successful in their plan, but the Don Juan Cesar makes things go wrong when he gives a valuable ring to his mistress.

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Plot Keywords:

heist | burglary | power drill | security system | hole in the floor | 

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Taglines:

IMPORTANT! Because of the extraordinary nature of "Rififi", no one will be seated once this film has begun.

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Genres:

Crime | Thriller

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Certificate:

Not Rated

Details

Country:

France

Language:

French Italian English

Release Date:

5 June 1956 (USA)

Also Known As:

Rififi

Filming Locations:

Pont de Bir-Hakeim, Paris 15, Paris, France

Box Office

Opening Weekend USA:

$17,981, 23 July 2000, Limited Release

Gross USA:

$57,226, 29 November 2015

Company Credits

Production Co:

Pathé Consortium Cinéma,Indusfilms,Société Nouvelle Pathé Cinéma

Technical Specs

Runtime:

118 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The much imitated heist sequence is over 32 minutes long and contains not a single line of dialogue or music. The production crew and composer Georges Auric thought it would be a disaster to have such a long sequence sans dialogue. Auric insisted that he allow him to write a grand piece of music for the scene and he eventually did on his own. Later Dassin played the part for Auric twice, once with the score, once without. Auric turned to him and admitted, "Without the music".

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Goofs

When Tony picks some dirt out of the dead Jo's hair, Jo's right eye twitches.

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Quotes

Louise: You're not the only one that had an unhappy childhood, there are millions like you, and, in my eyes, *they* are the tough ones, not you!

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Alternate Versions

West German theatrical version was shortened by ca. 8 minutes (the poker scenes, the telephone scene with Jo and his wife, Mario's funeral, small dialogue scenes of Tony meeting various people, Tony finding Jo's corpse, Tony shooting an already dead gangster). This version was also broadcast on TV.

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Connections

Referenced in The Jackie Gleason Show: The Honeymooners: Rififi - Brooklyn Style (1967)

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Soundtracks

Le Rififi
Music by Philippe-Gérard
Lyrics by Jacques Larue
Performed by Magali Noël

User Reviews

Hollywood, come up with your own ideas!

RIFIFI (Jules Dassin - France 1955)

To me, it seems a very risky idea to attempt a Hollywood-remake of Jules Dassin's 1955 classic RIFIFI. Planned for release in 2007, Al Pacino apparently is gonna play the lead, taking on the role of Tony le Stephanois. Risky business... How they're gonna pull this off?

Ironically, Dassin was blacklisted in Hollywood and went on to try his luck in France and made this little masterpiece, aptly called by some "The Grandddady of all caper- and heist movies". In my opinion, it remains a one-of-a-kind classic, beautifully filmed with one of the most memorable endings ever to be put on film. Whatever one's opinion of the film.

In the last couple of years RIFIFI has become dangerously overpraised. Nevertheless, this French noir-classic shouldn't be forgotten. Go see it, before the remake is out there, in order to have some ammunition for comparing the two.

Camera Obscura --- 9/10