The Squawkin' Hawk (1942) Poster

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5/10
Quit squawking
TheLittleSongbird24 May 2018
Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.

Chuck Jones deserved, and still does deserve, his status as one of animation's most legendary, greatest and most important directors/animators. He may have lacked the outrageousness and wild wackiness of Bob Clampett and Tex Avery, but the visual imagination, wit and what he did with some of the best-known and most iconic characters ever were just as special and he was responsible for some of the best cartoons ever made.

'The Squawkin Hawk' is not a particularly good representation of him sadly, would even say it's one of his weaker cartoons from an on the most part solid period in his long career. It's watchable enough certainly, there's just little exceptional to it other than the animation, music and some of the voice acting.

Starting with the positives, the animation is bright and colourful with fluid movement and beautifully detailed backgrounds. The music from the master Carl Stalling is even better, it's lushly and cleverly orchestrated, lively in energy and not only adds hugely to the action it even enhances it. They raise the cartoon's rating by more than one star each because they are so good.

Found the supporting characters to be fun and Sara Berner and especially Tedd Pierce deliver terrific voice acting. There are amusing moments and some energy, and the conflict has a little tension in places.

However, do have to agree completely with a lot of the criticisms mentioned already and there is not much to add actually. Jones' usual wit and imagination are mostly lacking with too much of the cartoon being rather tame. 'The Squawkin Hawk' is a case of the supporting characters being far more interesting than the lead, Henery in his debut is pretty bland here and Kent Rodgers brings nowhere near the amount of energy that Mel Blanc (who would have been an infinitely superior choice) brought to the character later.

Story-wise, 'The Squawkin Hawk' is paper thin and tries too hard to be cute that it becomes saccharine, and that there is not a lot of sharpness or energy makes that more noticeable and less forgivable. There are not enough laughs here, and very little wit, what there is is amusing at best but there is never anything hilarious and it does agreed suffer from by Jones and Henery Hawk standards being rather subdued.

Overall, nothing special but far from a must avoid. Other Jones cartoons represent him much better though and it is not a particularly good debut for Henery. 5/10 Bethany Cox
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7/10
Though many Looney Tunes Cryptologists view the tussle here between Henery Hawk and the Rooster . . .
oscaralbert27 August 2017
Warning: Spoilers
. . . as a prognostication about the outcome of the Battle between McGregor and Mayweather, respectively (Aug. 26, 2017), the more perceptive Warnologists see THE SQUAWKIN' HAWK as yet another in the long-running series of prognostications by Warner's Animated Shorts Seers division about the Upcoming Calamities, Catastrophes, Cataclysms, and Apocalypti facing We Americans of (The Then) Far Future. As Warner always warns us, "Fool Me Once, Shame on You; Fool Me Twice, Shame on ME!"--a lesson that can be taken to heart Sunday, Aug. 27, 2017 as God follows up Katrina with Harvey to punish the Racist Confederate Nazi Fascist "Red" States for stealing first the Election of 2000, and then the Election of 2016: Ask yourself how many catastrophic hurricanes hit our Once-Great USA Homeland during B.H. Obama's Presidency (Hint: the answer starts with a "Z" and ends with an "0"). THE SQUAWKIN' HAWK would have been pretty hard to decipher prior to Red Commie KGB Chief Vlad "The Mad Russian" Putin's White House Sock Puppet Don Juan Rump and his latest outrage against American Values this week. Rump's so-called "Presidential Pardon" of Mad Dog Racist Villain Dylann Roof surely is enough to make the Statue of Liberty Weep! This controversial clemency awarded to one of America's most despicable Racists explains why the Prophets of Warner Bros. created Henery Hawk with his minuscule digits and ludicrous belligerence in Rump's Image as one tiny part of their vain attempt to keep our Beloved Nation from going totally Looney Tunes and inaugurating Putin's Puppet Rump into our once-sacred White House in the first place!
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4/10
Like real actors, cartoon characters do not become overnight sensations upon their debut
ayapzl199421 May 2016
Warning: Spoilers
The Squawkin Hawk marks the debut of the tough-talking little chicken hawk Henery Hawk, who would later star permanently with the famous loudmouth rooster Foghorn Leghorn in the mid-1940s.

Henery Hawk is best associated as a co-star in the Foghorn Leghorn cartoons as both Foghorn and Henery make a perfect match since both of them match each other equally (both birds are loudmouths) and Henery makes a perfect foil to the mischievous and loudmouthed rooster despite his small size.

But this cartoon, however, as a starting ground for our beloved little chicken hawk, turns out to be rather weak. The pacing is quite slow, and the story is too cutesy for the character (because Chuck Jones, at the time, was still directing in the Disney style). Even when Chuck decide to put in a fast-paced chase scene involving little Henery and the chickens in this cartoon, this is awfully tame. The comedic gags are weak compared to later Henery cartoons, and our chicken hawk appears as if his tough-guy bravado has been toned down (he doesn't seem to be as tough and as antagonistic as he would be in the Foghorn Leghorn cartoons). Also, Kent Rogers' voice acting as Henery Hawk is lame, as it is lifeless, lacks power and energy, making it seem as if Henery's voice sounded rather forced. The good things in this cartoon, however, are the gorgeous-looking artwork (thanks to Jones' heavy emphasis on animation quality due to his Disney-like influence), the lively music by Carl Stalling which fits the action closely (especially the extensive use of the musical number "Someone's Rockin' My Dreamboat"), and despite flawed voice work for the lead character, there is better voice work by Sara Berner and screenwriter Tedd Pierce as Mama Hawk and rooster respectively.

Overall, a weak start for Henery Hawk, but it ain't too bad. The cartoon proved popular enough to have Henery make further appearances; this is when Robert McKimson developed Henery into the chicken hawk we all know today, and the more talented voice actor Mel Blanc took over as the voice of Henery, which gave some life, energy and pizazz to the tough-talking chicken hawk. Anyway, worth seeing especially for Henery Hawk fans.
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