A typical cartoon "Merrie Melodie" from Warners involving a mouse who sounds and looks like W. C. Fields offering a tour of a closed department store to his fellow mice, in a wire basket on cables (used to transfer goods from department of the store to another). The price for the tour is $.10. Even when giving his spiel to the would-be passengers he is pestered by a mouse kid (the title named "Little Blabbermouse") who jabbers away every now and then - annoying the child hating Fields - clone mouse. But he had a dime, so he is able to get a place in the basket-car.
The film shows such things as disappearing vanishing cream jars, cough medicine bottles that are coughing, and powder puffs singing and dancing to "Shake Your Powder Puff". In fact the cartoon (being a Warners Studio product) uses such standards as "Singing in the Bathtub" and "We're In the Money" from their music department. It's an easy to take cartoon, punctuated by mild Fieldsian comments by the guide mouse, and by Little Blabbermouse's unstoppable, fast, and barely intelligible string of comments when he makes any. A last minute chase due to a bounding cat chasing the mice back to the mouse-hole they came from leads to the Fields-clone finally bubbling over in anger and using an bottle of alum go good effect.
Cartoons like this remind us how the choice of surviving characters in all the cartoon studios was a chance affair. Little Blabbermouse was a tiresome one note character (unlike Bugs Bunny or Daffy Duck or even figures like Elmer Fudd and Yosemite Sam - all of them could surprise occasionally due to the richness of their characters). This was a winnowing process in all of the studios. Disney for example tried to push a character named Horace Horsecollar in the 1930s with Mickey Mouse, Donald Duck, and Goofy (and Pluto) and it didn't really work. With Popeye it was simpler - the Fleischer group just absorbed the main figures from Segar's "Thimble Theater". So Popeye, Olive, Bluto, Wimpy, Poopdeck Pappy, and Swee' Pea were permanent, more or less. But it was rare that the Sea Hag, Wimpy's enemy Geezil, Bertha the Goon, or Olive's brother Castor Oyl showed up, if at all.
Little Blabbermouse appeared maybe in five Warner cartoons tops, and then drifted into that weird oblivion for abandoned cartoon figures.
The film shows such things as disappearing vanishing cream jars, cough medicine bottles that are coughing, and powder puffs singing and dancing to "Shake Your Powder Puff". In fact the cartoon (being a Warners Studio product) uses such standards as "Singing in the Bathtub" and "We're In the Money" from their music department. It's an easy to take cartoon, punctuated by mild Fieldsian comments by the guide mouse, and by Little Blabbermouse's unstoppable, fast, and barely intelligible string of comments when he makes any. A last minute chase due to a bounding cat chasing the mice back to the mouse-hole they came from leads to the Fields-clone finally bubbling over in anger and using an bottle of alum go good effect.
Cartoons like this remind us how the choice of surviving characters in all the cartoon studios was a chance affair. Little Blabbermouse was a tiresome one note character (unlike Bugs Bunny or Daffy Duck or even figures like Elmer Fudd and Yosemite Sam - all of them could surprise occasionally due to the richness of their characters). This was a winnowing process in all of the studios. Disney for example tried to push a character named Horace Horsecollar in the 1930s with Mickey Mouse, Donald Duck, and Goofy (and Pluto) and it didn't really work. With Popeye it was simpler - the Fleischer group just absorbed the main figures from Segar's "Thimble Theater". So Popeye, Olive, Bluto, Wimpy, Poopdeck Pappy, and Swee' Pea were permanent, more or less. But it was rare that the Sea Hag, Wimpy's enemy Geezil, Bertha the Goon, or Olive's brother Castor Oyl showed up, if at all.
Little Blabbermouse appeared maybe in five Warner cartoons tops, and then drifted into that weird oblivion for abandoned cartoon figures.