Betty Boop tells naughty Little Jimmy a corrective fairy tale (with herself as fairy). Part of the action is replayed in reverse.Betty Boop tells naughty Little Jimmy a corrective fairy tale (with herself as fairy). Part of the action is replayed in reverse.Betty Boop tells naughty Little Jimmy a corrective fairy tale (with herself as fairy). Part of the action is replayed in reverse.
- Directors
- Star
Photos
Mae Questel
- Betty Boop
- (voice)
- (uncredited)
- Directors
- Dave Fleischer
- Myron Waldman(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBetty's skirt has lengthened by 1935, and in this cartoon she's settled down to domestic life, trying to get a baby boy to go to sleep. Since she's the only one home, it's unclear whether she's mom or babysitter.
- Quotes
[first lines]
Betty Boop: Oh, no, no, no, no, no. Oh! No, no, no, no, no! Stop that! Now, be a good boy and go to sleep.
- SoundtracksJust Like You
(uncredited)
Composer undetermined
Played during the opening credits
Sung by Betty to the baby boy
Featured review
Betty Boop and the oh-not-so-good "baby"
A good deal of the pre-Production Code Betty Boop cartoons are daring and creative, with content that makes one amazed at what's gotten away with. While the later Betty Boop cartoons made after the Code was enforced are still watchable and exceptionally well-made, they are so toned down that they feel bland.
Fleischer were responsible for some brilliant cartoons, some of them still among my favourites. Their visual style was often stunning and some of the most imaginative and ahead of its time in animation. The character of Betty Boop, one of their most famous and prolific characters, may not be for all tastes and sadly not as popular now, but her sex appeal was quite daring for the time and to me there is an adorable sensual charm about her. The good news is that she has not lost her charm, she is still cute and her comic timing is good.
Less good is that, thanks to the production code her sensuality is heavily muted, and it was like she had lost a large part of what made her such a unique character back then and what made her popular. Here, she is a more moralistic character, but does it very well admittedly.
The animation is still very good, as ever being rich in detail and beautifully drawn. The music is infectious and beautifully and cleverly orchestrated, putting one in a good mood and enhances the action wonderfully.
'Baby Be Good's' story is more eventful and has more imagination than most later Betty Boop cartoons, with more creative ideas. The whole reversal idea was cleverly done.
However, if anybody enjoyed the pre-code Betty Boop cartoons for being wonderfully surreal and for its daring risqué content that was ahead of the time back in the 30s and wouldn't be seen a lot now in cartoons, they will be disappointed here. Both are missing which gives a rather tame and bland feel here in 'Baby Be Good'.
More problematic are a too conveniently pat ending, that robs the viewer of seeing Little Jimmy getting what he deserved, and Little Jimmy himself, a "cutesy"-intended character that's actually insufferably irritating and unintentionally creepy.
On the whole, not bad but misses too much of what was so good before with Betty Boop before the production code. 6/10 Bethany Cox
Fleischer were responsible for some brilliant cartoons, some of them still among my favourites. Their visual style was often stunning and some of the most imaginative and ahead of its time in animation. The character of Betty Boop, one of their most famous and prolific characters, may not be for all tastes and sadly not as popular now, but her sex appeal was quite daring for the time and to me there is an adorable sensual charm about her. The good news is that she has not lost her charm, she is still cute and her comic timing is good.
Less good is that, thanks to the production code her sensuality is heavily muted, and it was like she had lost a large part of what made her such a unique character back then and what made her popular. Here, she is a more moralistic character, but does it very well admittedly.
The animation is still very good, as ever being rich in detail and beautifully drawn. The music is infectious and beautifully and cleverly orchestrated, putting one in a good mood and enhances the action wonderfully.
'Baby Be Good's' story is more eventful and has more imagination than most later Betty Boop cartoons, with more creative ideas. The whole reversal idea was cleverly done.
However, if anybody enjoyed the pre-code Betty Boop cartoons for being wonderfully surreal and for its daring risqué content that was ahead of the time back in the 30s and wouldn't be seen a lot now in cartoons, they will be disappointed here. Both are missing which gives a rather tame and bland feel here in 'Baby Be Good'.
More problematic are a too conveniently pat ending, that robs the viewer of seeing Little Jimmy getting what he deserved, and Little Jimmy himself, a "cutesy"-intended character that's actually insufferably irritating and unintentionally creepy.
On the whole, not bad but misses too much of what was so good before with Betty Boop before the production code. 6/10 Bethany Cox
helpful•11
- TheLittleSongbird
- Jan 31, 2017
Details
- Runtime8 minutes
- Color
- Aspect ratio
- 1.37 : 1
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