The Blue Angel (1930)

An elderly professor's ordered life spins dangerously out of control when he falls for a nightclub singer.

Director:

Josef von Sternberg

Writers:

Heinrich Mann (novel), Carl Zuckmayer

Stars:

Emil Jannings, Marlene Dietrich, Kurt Gerron

Cast

Cast overview, first billed only:
Emil Jannings	...	Prof. Immanuel Rath
Marlene Dietrich	...	Lola Lola
Kurt Gerron	...	Zauberkünstler Kiepert / The Magician
Rosa Valetti	...	Guste Kiepert / The Magician's Wife
Hans Albers	...	Mazeppa / The Strongman
Reinhold Bernt	...	Der Clown / The Clown
Eduard von Winterstein	...	Schuldirektor / The Director of School (as Eduard V. Winterstein)
Hans Roth	...	Hausmeister / The Caretaker of the Secondary School
Rolf Müller	...	Gymnasiast Angst / Pupil
Roland Varno	...	Gymnasiast Lohmann / Pupil (as Rolant Varno)
Carl Balhaus	...	Gymnasiast Ertzum / Pupil (as Karl Balhaus)
Robert Klein-Lörk	...	Gymnasiast Goldstaub / Pupil
Károly Huszár	...	Wirt / Innkeeper (as Karl Huszar-Puffy)
Wilhelm Diegelmann	...	Kapitän / Captain
Gerhard Bienert	...	Polizist / Policeman

Storyline

Germany 1924. Middle aged Dr. Immanuel Rath is a literature professor at a boys college. Most of his students don't much like him, often calling him "unrath" - German for garbage. Dr. Rath learns that many of his boys often frequent a cabaret called Der blaue Engel - the Blue Angel - which he believes is corrupting their impressionable young minds. He heads to the Blue Angel himself to catch the boys in the act and shame them into not going again. Over several visits, Rath is able to catch the boys, but in the process he also understands what attracts the boys, namely the headlining performer Lola Lola. Rath falls under Lola's spell, he who falls in love with her - and she seemingly with him - so much so that he wants to marry her and give up his teaching career to be with her on her travels from cabaret to cabaret. Their relationship ends up not being what either envisioned, the question being how they will both deal with their disintegrating relationship and the reasons behind that ...

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Plot Keywords:

nightclub | female corrupts male | unrequited love | based on novel | legs | 

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Genres:

Drama | Music

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Certificate:

Not Rated

Details

Country:

Germany

Language:

German English French

Release Date:

3 January 1931 (USA)

Also Known As:

The Blue Angel

Filming Locations:

Berlin, Germany

Box Office

Opening Weekend USA:

$6,451, 15 July 2001, Limited Release

Gross USA:

$77,982, 9 December 2001

Company Credits

Production Co:

UFA Tonfilm, Universum Film (UFA)

Technical Specs

Runtime:

107 min (TCM print) 108 min (German) 94 min (English)

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.20 : 1

Did You Know?

Trivia

As a result of the film falling into public domain, a considerable number of prints exist. These vary widely in length and quality.

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Goofs

When the professor returns to his class and the boys burst out in uproar, the drawing on the blackboard shows three lines with Lola's name. The director, drawn by the noise, enters the class and now there are only two lines. After the class is dismissed, the third line has returned.

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Quotes

Lola Lola: [singing] Beware of blonde women, they're special, every one. At first you may be unaware, but something is definitely there. A little hanky-panky can be fun, but from their clutches you'd better run.

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Connections

Featured in Le fantôme d'Henri Langlois (2004)

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Soundtracks

Ich bin von Kopf bis Fuß auf Liebe eingestellt
(uncredited)
Written by Friedrich Hollaender
Performed by Marlene Dietrich

User Reviews

Classic Gold

First -and only- time I saw Der Blaue Engel, I was a boy of about 13-14 years old. Even though this was over 35 years ago, I still remember how this movie blew me away. I came out of the theater with a new understanding of the world and the human condition.

The story is in essence about love, and what it can make a person do. It is also about what people will do to each other, a theme this movie takes to it's extreme. The acting is supreme, the atmosphere breathtaking, the music score fabulous. Marlene sings one of the great songs in movie history; German cabaret pur sang.

This is a European film in the best sense of the word. It gives the spectator the feeling of being picked up and dropped somewhere in time and place, to witness a dramatic sequence of events in the lives of a small group of people. It starts out jolly enough, but pretty soon you feel that things are going to go terribly wrong. And sure enough, they do.

The young boy that was I, left this movie with a weird mixture of feelings. On the one hand the fear of ever being trapped in such a romantic cul-de-sac, and of losing all human dignity. On the other, a deep longing to experience those bitter emotions. Isn't this the greatest accolade for a tragedy: that it moves you to tears, but at the same time makes you want to experience the sad events that caused those tears?