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The Passion of Joan of Arc (1928)

La passion de Jeanne d'Arc (original title)
Not Rated | | Biography, Drama, History | 25 October 1928 (France)
In 1431, Jeanne d'Arc is placed on trial on charges of heresy. The ecclesiastical jurists attempt to force Jeanne to recant her claims of holy visions.

Director:

Carl Theodor Dreyer (as Carl Th. Dreyer)
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Top Rated Movies #211 | 3 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
Maria Falconetti ... Jeanne d'Arc (as Melle Falconetti)
Eugene Silvain ... Évêque Pierre Cauchon (Bishop Pierre Cauchon) (as Eugène Silvain)
André Berley ... Jean d'Estivet
Maurice Schutz ... Nicolas Loyseleur
Antonin Artaud ... Jean Massieu
Michel Simon ... Jean Lemaître
Jean d'Yd Jean d'Yd ... Guillaume Evrard
Louis Ravet Louis Ravet ... Jean Beaupère (as Ravet)
Armand Lurville Armand Lurville ... Juge (Judge) (as André Lurville)
Jacques Arnna Jacques Arnna ... Juge (Judge)
Alexandre Mihalesco Alexandre Mihalesco ... Juge (Judge)
Léon Larive Léon Larive ... Juge (Judge)
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Storyline

Giovanna is taken to the Inquisition court. . After the accusation of blasphemy continues to pray in ecstasy . A friar thinks that Giovanna is a saint, but is taken away by the soldiers. Giovanna sees a cross in the shadow and feels comforted. She is not considered a daughter of God but a daughter of the devil and is sentenced to torture. Giovanna D 'Arco says that even if she dies she will not deny anything. The eyes are twisted by terror in front of the torture wheel and faint. Giovanna is taken to a bed where they are bleeding. Giovanna feels that she is about to die and asks to be buried in a consecrated area. Giovanna burns at the stake while devoted ladies cry. Written by luigicavaliere

Plot Summary | Plot Synopsis

Taglines:

JOAN of ARC PICTURES Inc. presents See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

25 October 1928 (France) See more »

Also Known As:

The Passion of Joan of Arc See more »

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Box Office

Opening Weekend USA:

$6,408, 26 November 2017

Gross USA:

$21,877

Cumulative Worldwide Gross:

$21,877
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1952 re-release) | (restored DVD) | (DVD) | (Blu-ray)

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Much of the project's budget was reserved for the expensive sets, although Carl Theodor Dreyer used so many close-ups that very little of the actual sets are seen. See more »

Goofs

In the 15th century, a priest can be seen wearing a Jesuit robe. The Jesuit order was founded in the 16th century. See more »

Quotes

Jeanne d'Arc: To save France - it's why I was born.
See more »

Alternate Versions

Around 1950 a French film historian, Lo Duca, discovered the second negative in the vaults of Gaumont Studios, in pristine condition. Sadly, he created his own version, changing the original and including a score that was a montage of Albinoni, Vivaldi, and other Baroque composers. Intertitles were done away with and replaced with subtitles, and the film opens in a voice-over. Dreyer was horrified and disowned Duca's version. See more »

Connections

Referenced in Letter to Jane: An Investigation About a Still (1972) See more »

Soundtracks

Voices of Light
Written by Richard Einhorn
The score used in the 1995 version
See more »

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User Reviews

Dreyer's masterpiece one of cinema's greatest artistic triumphs
29 July 1999 | by pooch-8See all my reviews

One of the last great silent films made during the advent of sound, Carl-Theodor Dreyer's The Passion of Joan of Arc is a haunting, riveting portrait of the historical martyr based on documentation from the original trial. Focusing primarily on the series of courtroom examinations that doomed the young warrior, the film gloriously employs vivid close-ups to accentuate the ordinariness (while at the same time exaggerating the most grotesque qualities) of Joan's inquisitors. Maria Falconetti is unforgettable as Joan, perfectly distilling the pain, terror, and saintliness required by what is probably one of the most demanding roles an actor could attempt. The consequence of Joan's conviction -- her burning at the stake -- allows Dreyer to hammer home his exquisite visual motif balancing erotic corporeality with transcendent spirituality.


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