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5,6/10
1723
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaCharlie attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.Charlie attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.Charlie attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.
Dan Albert
- Audience Member
- (non citato nei titoli originali)
Hampton Del Ruth
- Lead Actor
- (non citato nei titoli originali)
Minta Durfee
- Self
- (non citato nei titoli originali)
- …
Billy Gilbert
- Theatre Usher
- (non citato nei titoli originali)
William Hauber
- Audience Member
- (non citato nei titoli originali)
Bert Hunn
- Audience Member
- (non citato nei titoli originali)
George Jeske
- Prop Boy in White Shirt
- (non citato nei titoli originali)
Edgar Kennedy
- Director
- (non citato nei titoli originali)
Sadie Lampe
- Audience Member
- (non citato nei titoli originali)
Henry Lehrman
- Self
- (non citato nei titoli originali)
Hank Mann
- Prop Boy in Overalls
- (non citato nei titoli originali)
Harry McCoy
- Fireman
- (non citato nei titoli originali)
- …
George Nichols
- Older Actor on Screen
- (non citato nei titoli originali)
- Regia
- Sceneggiatura
- Charles Chaplin(non citato nei titoli originali)
- Craig Hutchinson
- Tutti gli interpreti e le troupe
- Produzione, botteghino e altro su IMDbPro
Trama
Lo sapevi?
- QuizAlthough some sources credit Mack Sennett with playing himself, the film director, the role is actually played by Edgar Kennedy--who, besides being a comic actor, was also a respected director.
- BlooperMembers of the audience behind Charlie Chaplin change - for example, Minta Durfee is sitting behind Chaplin in some shots, but a different actress is seated behind him in others.
- Versioni alternative1930s reissue version, entitled Film Johnny, (released on DVD) omits the opening sequence in the movie theater.
- ConnessioniFeatured in Crazy Days (1962)
Recensione in evidenza
Charlie behind the scenes
Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.
He did do better than 'A Film Johnnie', still made very early on in his career where he was still finding his feet and not fully formed what he became famous for. Can understand why the Keystone period suffered from not being as best remembered or highly remembered than his later efforts, but they are mainly decent and important in their own right. 'A Film Johnnie' is a long way from a career high, but has a lot of nice things about it.
'A Film Johnnie' is not as hilarious, charming or touching as his later work and some other shorts in the same period. The story is flimsy and the production values not as audacious. Occasionally, things feel a little scrappy and confused.
For someone who was still relatively new to the film industry and had literally just moved on from their stage background, 'A Film Johnnie' is not bad at all.
While not audacious, the film hardly looks ugly, is more than competently directed and is appealingly played. Chaplin looks comfortable for so early on and shows his stage expertise while opening it up that it doesn't become stagy or repetitive shtick. The Tramp did become more likeable later but again he was still evolving.
Although the humour, charm and emotion was done even better and became more refined later, 'A Film Johnnie' is humorous, sweet and easy to like, though the emotion is not quite there. It moves quickly and doesn't feel too long or short.
Overall, far from one of Chaplin's best but pretty good and perhaps one of his better efforts from the early Keystone period. 7/10 Bethany Cox
He did do better than 'A Film Johnnie', still made very early on in his career where he was still finding his feet and not fully formed what he became famous for. Can understand why the Keystone period suffered from not being as best remembered or highly remembered than his later efforts, but they are mainly decent and important in their own right. 'A Film Johnnie' is a long way from a career high, but has a lot of nice things about it.
'A Film Johnnie' is not as hilarious, charming or touching as his later work and some other shorts in the same period. The story is flimsy and the production values not as audacious. Occasionally, things feel a little scrappy and confused.
For someone who was still relatively new to the film industry and had literally just moved on from their stage background, 'A Film Johnnie' is not bad at all.
While not audacious, the film hardly looks ugly, is more than competently directed and is appealingly played. Chaplin looks comfortable for so early on and shows his stage expertise while opening it up that it doesn't become stagy or repetitive shtick. The Tramp did become more likeable later but again he was still evolving.
Although the humour, charm and emotion was done even better and became more refined later, 'A Film Johnnie' is humorous, sweet and easy to like, though the emotion is not quite there. It moves quickly and doesn't feel too long or short.
Overall, far from one of Chaplin's best but pretty good and perhaps one of his better efforts from the early Keystone period. 7/10 Bethany Cox
D’aiuto•20
- TheLittleSongbird
- 21 mag 2018
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- A Film Johnnie
- Luoghi delle riprese
- Bryson Apartments, 2701 Wilshire Blvd., Los Angeles, California, Stati Uniti(Apartment Building)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione15 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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