3/10
A Biography or a Love Letter to the Congress Party?
21 March 2024
After viewing Ae Watan Mere Watan I couldn't shake the feeling that the film leaned more towards being a love letter to the Congress Party rather than a faithful biopic of Usha Mehta. While the production design by Amrita Mahal Nakai and Sabrina Singh beautifully recreated the era, the narrative seemed to prioritize political agendas over Mehta's personal journey.

The film's exploration of radio as a tool for resistance during the 1942 Indian independence movement was intriguing, but it felt overshadowed by a strong bias towards the Congress Party. Rather than presenting a balanced portrayal of historical events, the film seemed intent on glorifying the party's role in the independence movement.

Sara Ali Khan's portrayal of Mehta, though competent, felt secondary to the film's political messaging. Her character lacked depth, reducing her personal struggles to mere background noise amidst the larger political narrative.

Furthermore, the film's extended runtime of 133 minutes only served to accentuate its political agenda, with scenes often feeling drawn out to emphasize certain political ideologies.

In summary, "Ae Watan Mere Watan" appears more concerned with celebrating the Congress Party than offering a genuine biopic of Usha Mehta. While it may resonate with certain audiences, those seeking a nuanced portrayal of history may find themselves disappointed by its overt political bias.
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