From the information provided by IMDB, I see that Director Crane Wilbur had also developed a talent for screenwriting, hence his OUTSIDE THE WALL screenplay containing credible and interesting dialogue that reflects some sensitivity in considering the feelings and new take on life of an inmate upon regaining freedom.
To that end Wilbur is immensely assisted by Richard Basehart's candid, naturalistic performance, one of the best in his career, as he first comes into contact with women (in jail since 15, at 30 he has spent his entire pubescent life behind bars), alcohol (he had never tasted any such beverages and asks for a soda pop at the bar), and bustling city life.
As tough as it is for any ex-con to find work in civvy street, he does not mind washing dishes but prefers the more secluded duties of an orderly at a sanatorium, where he meets two interesting nurses, one rather materialistic, the other genuinely interested in him, plus a patient (played by the creepy John Hoyst) he knew from jail and who happens to be the sole survivor of a $1 million heist. Of course, a sum like that is bound to attract other criminals, including the fine-featured but sinister Signe Hasso, and her sidekicks (torturer Harry Morgan is particularly memorable).
Very good chiaroscuro cinematography by Irving Glassberg.
Definitely worth watching. 8/10.
To that end Wilbur is immensely assisted by Richard Basehart's candid, naturalistic performance, one of the best in his career, as he first comes into contact with women (in jail since 15, at 30 he has spent his entire pubescent life behind bars), alcohol (he had never tasted any such beverages and asks for a soda pop at the bar), and bustling city life.
As tough as it is for any ex-con to find work in civvy street, he does not mind washing dishes but prefers the more secluded duties of an orderly at a sanatorium, where he meets two interesting nurses, one rather materialistic, the other genuinely interested in him, plus a patient (played by the creepy John Hoyst) he knew from jail and who happens to be the sole survivor of a $1 million heist. Of course, a sum like that is bound to attract other criminals, including the fine-featured but sinister Signe Hasso, and her sidekicks (torturer Harry Morgan is particularly memorable).
Very good chiaroscuro cinematography by Irving Glassberg.
Definitely worth watching. 8/10.