Salaar Part 1 has an unbearable first half, with useless exposition, a needless Shruti Hassan (thankfully not a romantic interest for Prabhas), an overbearing and supremely annoying mom-son angle, ultrabasic mass hero build-ups, and a tame set-piece (Anbariv Masters, what the hell is happening here?). Some kids even refer to Prabhas as a cut-out, and that's exactly what he is for the entirety of the initial half. Though he looks good, the man is stiffer than tree bark, and Eashwari Rao (playing his mother) is supposedly emoting for the both of them, as she's asked to ham it up. I haven't seen Ugramm and I don't intend to see it either, especially if it's anything like this.
It's only in the second half that the film starts its world-building exercise, and since there's only 90 minutes to do so, writer-director Prashant Neel is forced to explain key plot points over voiceovers. Dozens of new characters are introduced, a whole lawbook is explained in a few shots and lines, a power tussle is set in motion. It's also here that Prithviraj Sukumaran enters the scene but for a large chunk of the film, neither he nor Prabhas have any essential bits of dialogue. All of it is reserved for the final act and the cliffhanger(ish) finale, and though the duo redeemed their parts to some extent, I barely felt the emotional strength of their presumed, long-standing friendship. Ravi Basrur delivers a humdrum score, and except for the main theme, his efforts fell short. The less said about the edits, the better.
It also sucks that the set pieces feel boringly repetitive (goons are flying in all directions) and the only instance I felt like appreciating cinematographer Bhuvan Gowda's work is during an action block set in a village where Goddess Kali is the deity. There are some fantastic shot choices in this segment, supplemented well by the color grading. The rest of the film visually feels like an extension of the KGF franchise, there isn't much here that you haven't seen in those two films. Also, I'm glad I saw this in Tamil; the dubbing was decent, and the translations too weren't the shabbiest. Still, Salaar Part 1 did next to nothing for me as a cinephile - utterly disposable!
It's only in the second half that the film starts its world-building exercise, and since there's only 90 minutes to do so, writer-director Prashant Neel is forced to explain key plot points over voiceovers. Dozens of new characters are introduced, a whole lawbook is explained in a few shots and lines, a power tussle is set in motion. It's also here that Prithviraj Sukumaran enters the scene but for a large chunk of the film, neither he nor Prabhas have any essential bits of dialogue. All of it is reserved for the final act and the cliffhanger(ish) finale, and though the duo redeemed their parts to some extent, I barely felt the emotional strength of their presumed, long-standing friendship. Ravi Basrur delivers a humdrum score, and except for the main theme, his efforts fell short. The less said about the edits, the better.
It also sucks that the set pieces feel boringly repetitive (goons are flying in all directions) and the only instance I felt like appreciating cinematographer Bhuvan Gowda's work is during an action block set in a village where Goddess Kali is the deity. There are some fantastic shot choices in this segment, supplemented well by the color grading. The rest of the film visually feels like an extension of the KGF franchise, there isn't much here that you haven't seen in those two films. Also, I'm glad I saw this in Tamil; the dubbing was decent, and the translations too weren't the shabbiest. Still, Salaar Part 1 did next to nothing for me as a cinephile - utterly disposable!