Director Scott Barley's unconventional approach may resonate more as a visual art installation than a traditional movie. The absence of a coherent storyline or traditional cinematic features might lead viewers to question its classification as a film. Rather, it seems to invite contemplation, encouraging audiences to engage with its abstract and atmospheric qualities, akin to an art piece in a gallery.
The film's deliberate use of darkness, grainy visuals, and subdued soundscape might not appeal to those seeking a typical cinematic experience. Its sparse imagery, including fleeting glimpses of nature like horses and water, invites interpretation and introspection, offering a different kind of cinematic encounter that might not be everyone's cup of tea.
In essence, "Sleep Has Her House" cannot be classed as a movie. It uses 1/5 of the screen and its departure from mainstream movie elements is better suited for those intrigued by experimental visual storytelling and open to unconventional artistic expressions.
The film's deliberate use of darkness, grainy visuals, and subdued soundscape might not appeal to those seeking a typical cinematic experience. Its sparse imagery, including fleeting glimpses of nature like horses and water, invites interpretation and introspection, offering a different kind of cinematic encounter that might not be everyone's cup of tea.
In essence, "Sleep Has Her House" cannot be classed as a movie. It uses 1/5 of the screen and its departure from mainstream movie elements is better suited for those intrigued by experimental visual storytelling and open to unconventional artistic expressions.