The rightful heir (Nippur) to the throne of Babylon leads a slave revolt against an evil ruler.
In a brightly-coloured, reasonably well-concocted escapist fare, Gordon Scott takes on the Babylons in order to free the slaves thrown in the fire for sacrifice as well as seeking his father. He's excellent as always, exuding energy and the action scenes are exciting and well staged, and rather lifts this adventure. The stunts are impressive such as as the one Nipur's friend, Namar, is being chased by soldiers atop the roofs of the Babylonian city. With nowhere to go, Namar leaps from the top of one of the buildings down onto two of men waiting below. There's nothing to cushion him below.
The villainy is always good in these type of films - Moira Orfei sizzles as the evil and duplicitous Ura and the guy who plays Balthazar is a true nut job. The slave capturing scenes and throwing them in the fire can be grim.
In a brightly-coloured, reasonably well-concocted escapist fare, Gordon Scott takes on the Babylons in order to free the slaves thrown in the fire for sacrifice as well as seeking his father. He's excellent as always, exuding energy and the action scenes are exciting and well staged, and rather lifts this adventure. The stunts are impressive such as as the one Nipur's friend, Namar, is being chased by soldiers atop the roofs of the Babylonian city. With nowhere to go, Namar leaps from the top of one of the buildings down onto two of men waiting below. There's nothing to cushion him below.
The villainy is always good in these type of films - Moira Orfei sizzles as the evil and duplicitous Ura and the guy who plays Balthazar is a true nut job. The slave capturing scenes and throwing them in the fire can be grim.