While he lacks the same name recognition among general audiences as some of his contemporaries, Harold Lloyd was a shining star of the silent era, a comedian handily matching Buster Keaton and Charlie Chaplin with his funny antics. With stunts and effects aplenty, his pictures earned big laughs with abundant gags and situational humor, not to mention some witty dialogue (imparted through intertitles), fun character dynamics, and even some physical comedy adjoining the lighthearted silliness. Lloyd's first foray into sound films was less successful, however, for reasons that had nothing to do with audio; the writing in 1929's 'Welcome danger' felt too much like a mishmash, stepping away from the man's strengths, and it came off as the least Harold Lloyd of any Harold Lloyd vehicle up to that point. What then of his second sound film, which further reunites Lloyd with returning director Clyde Bruckman, and co-stars including Barbara Kent and Noah Young? For as much as I've loved all of Lloyd's silent works, after this title's immediate predecessor I sat to watch with expectations that had been substantially lowered. The good news is that 'Feet first' is pleasant and charming, and certainly earns some laughs, with no small amount of cleverness. Happily, it's also surely more consistent than the last effort.
The bad news is that the humor in this feature is too often very extra light - albeit also punctuated with instances of a somewhat off-putting mean streak. In a runtime of ninety-some minutes, much of the first third doesn't make much of an impression, and thereafter the writing continues to be highly variable; too many bits feel tired, as if the writers were really stretching and straining to whip up good ideas. This applies equally to the narrative, scene writing, characters, and dialogue: clever at many points, yes, but meager at others, and too often lacking the vitality that would help a moment to really stick and have the desired impact. In the same measure that 'Welcome danger' felt too much unlike a Harold Lloyd movie in its amalgamation of crime, drama, and adventure with the comedy, 'Feet first' feels at times too much like a softer, lesser creation, failing to achieve the same vibrancy as its silent predecessors no matter how boisterous the actors are, or how much they run around. This is enjoyable, but in a way that more tends to more closely resemble a warm, gentle spring breeze, sometimes blowing hotter more like the middle of summer, than an invigorating shot in the arm. Case in point: the picture's biggest stunt, recalling Lloyd's most famous scene in 1923's 'Safety last!', is also the only significant one here.
I do actually like this. It's entertaining, and it's well made, with fine contributions from most everyone on hand, including the cast. The sad fact of the matter is that this flick struggles to capture the imagination in the same way as anything the star made preceding the advent of talkies - 'Why worry?', 'Dr. Jack,' 'Hot water,' and so on. It holds up better than the man's first sound feature, but I only wish that it were more robust, with the same energy and wit that defined the best of Lloyd's oeuvre, for even the last act has a had time matching up despite the obvious kinship. (Please also note a single, casually racist line that hasn't aged well. Lloyd himself accordingly dubbed over that line for a subsequent re-release, which speaks well to him sensibilities, but it's there nonetheless.) While this is worth watching on its own merits, with swell ideas through to the end, I would strongly suggest prioritizing Lloyd's silent offerings. Those are must-see classics; this is something less remarkable to be saved for a lazy day. 'Feet first' deserves your viewership, but ironically, it shouldn't be first.
The bad news is that the humor in this feature is too often very extra light - albeit also punctuated with instances of a somewhat off-putting mean streak. In a runtime of ninety-some minutes, much of the first third doesn't make much of an impression, and thereafter the writing continues to be highly variable; too many bits feel tired, as if the writers were really stretching and straining to whip up good ideas. This applies equally to the narrative, scene writing, characters, and dialogue: clever at many points, yes, but meager at others, and too often lacking the vitality that would help a moment to really stick and have the desired impact. In the same measure that 'Welcome danger' felt too much unlike a Harold Lloyd movie in its amalgamation of crime, drama, and adventure with the comedy, 'Feet first' feels at times too much like a softer, lesser creation, failing to achieve the same vibrancy as its silent predecessors no matter how boisterous the actors are, or how much they run around. This is enjoyable, but in a way that more tends to more closely resemble a warm, gentle spring breeze, sometimes blowing hotter more like the middle of summer, than an invigorating shot in the arm. Case in point: the picture's biggest stunt, recalling Lloyd's most famous scene in 1923's 'Safety last!', is also the only significant one here.
I do actually like this. It's entertaining, and it's well made, with fine contributions from most everyone on hand, including the cast. The sad fact of the matter is that this flick struggles to capture the imagination in the same way as anything the star made preceding the advent of talkies - 'Why worry?', 'Dr. Jack,' 'Hot water,' and so on. It holds up better than the man's first sound feature, but I only wish that it were more robust, with the same energy and wit that defined the best of Lloyd's oeuvre, for even the last act has a had time matching up despite the obvious kinship. (Please also note a single, casually racist line that hasn't aged well. Lloyd himself accordingly dubbed over that line for a subsequent re-release, which speaks well to him sensibilities, but it's there nonetheless.) While this is worth watching on its own merits, with swell ideas through to the end, I would strongly suggest prioritizing Lloyd's silent offerings. Those are must-see classics; this is something less remarkable to be saved for a lazy day. 'Feet first' deserves your viewership, but ironically, it shouldn't be first.