Ten stars for a double dose of Loretta Young, one of the most beautiful women to ever grace the silver screen. Now deduct one star each for the awful script, dialog, acting, directing, cinematography, sound, and plot.
It seems as though Hollywood thought audiences would be so enamored with the new addition of sound in these early talkies that they wouldn't notice the exclusion of all else a movie needs to hold their attention.
No action, combined with a feeble plot and too many implausible coincidences and plot holes simply adds up to a complete boor. Except - and this is a massive exception - except when the screen is filled with images of the lovely Miss Young, albeit at a still tender age and not quite yet adjusted to the pacing of the new form nor yet yet displaying the artistry she would develop just a few years later. Still, she is the ONLY reason to watch this stinker. And that is reason enough to give it a peek even though you've been warned not to expect much else.
It seems as though Hollywood thought audiences would be so enamored with the new addition of sound in these early talkies that they wouldn't notice the exclusion of all else a movie needs to hold their attention.
No action, combined with a feeble plot and too many implausible coincidences and plot holes simply adds up to a complete boor. Except - and this is a massive exception - except when the screen is filled with images of the lovely Miss Young, albeit at a still tender age and not quite yet adjusted to the pacing of the new form nor yet yet displaying the artistry she would develop just a few years later. Still, she is the ONLY reason to watch this stinker. And that is reason enough to give it a peek even though you've been warned not to expect much else.