Upon viewing the series promo, I held notably high expectations for it. The series demonstrates a commendable effort in seamlessly aligning colors, objects, and characters with a distinct Wes Anderson-esque style, where characters are symmetrically positioned at the center of the screen. This aspect of the production is almost on par with the director's signature aesthetic.
However, what dissuades me from considering the second season is the deficiency in humor, the timing of dialogues, and an overarching narrative with a lack of a robust plot. While I genuinely applaud the creators for their innovative approach, there is a clear need for enhancement in the content to captivate and retain viewers. My best wishes go out to the team for their future endeavors.
For instance, in a similar context, viewers have praised Wes Anderson's "The Grand Budapest Hotel" for its meticulous symmetry and visual style Yet, even in his films, the humor and dialogue timing are crucial for audience engagement.
However, what dissuades me from considering the second season is the deficiency in humor, the timing of dialogues, and an overarching narrative with a lack of a robust plot. While I genuinely applaud the creators for their innovative approach, there is a clear need for enhancement in the content to captivate and retain viewers. My best wishes go out to the team for their future endeavors.
For instance, in a similar context, viewers have praised Wes Anderson's "The Grand Budapest Hotel" for its meticulous symmetry and visual style Yet, even in his films, the humor and dialogue timing are crucial for audience engagement.