It felt more complimentary; not to be spoon fed the whole bowl of porridge and instead puzzle along the pieces of each episode.
Lakeith Stanfield shines in his ability to portray a character that feels grounded and complex. While Adina Porter brings a graceful presence and Malcom Barret provides a warm sprinkling of comedic relief to the uncertain horror.
This series opens with the classic line "Once upon a time" over a ship battling stormy seas. Narration reels the viewer through a flowing multi-current of journeys. Embarking on two similar and (perhaps not obvious) related stories of boy-meets-girl. The progression of both couples relationships is well distinguished by utilising the shifting time periods through sound and visual affect.
The sweet and airy nature of the initial pacing twists itself into a spiral as (Clark Backo's character) Emmy, finds herself caught in a questionable darkness amid a crescendo of unsettling and tense scoring.
I found it neither slow or boring while character connections were established. The light start is littered with breadcrumbs of skillful shots from the director to develop the backstory and engage the viewer.
Kudos to the wardrobe, SFX and set teams as they seem to have been passionate in their work. They complimented the directors storytelling and added differentiating hints of nostalgia and colour theory.
So far it has left me wishing for more.
Lakeith Stanfield shines in his ability to portray a character that feels grounded and complex. While Adina Porter brings a graceful presence and Malcom Barret provides a warm sprinkling of comedic relief to the uncertain horror.
This series opens with the classic line "Once upon a time" over a ship battling stormy seas. Narration reels the viewer through a flowing multi-current of journeys. Embarking on two similar and (perhaps not obvious) related stories of boy-meets-girl. The progression of both couples relationships is well distinguished by utilising the shifting time periods through sound and visual affect.
The sweet and airy nature of the initial pacing twists itself into a spiral as (Clark Backo's character) Emmy, finds herself caught in a questionable darkness amid a crescendo of unsettling and tense scoring.
I found it neither slow or boring while character connections were established. The light start is littered with breadcrumbs of skillful shots from the director to develop the backstory and engage the viewer.
Kudos to the wardrobe, SFX and set teams as they seem to have been passionate in their work. They complimented the directors storytelling and added differentiating hints of nostalgia and colour theory.
So far it has left me wishing for more.