I'm not very schooled in Japanese tradition and fables, so there's probably more in this than I could ever spot**. However, despite the slow pace and the occasional confusion between characters, I was impressed by the handling of some very deep and philosophical themes.
Most obviously, of course, there is the central matter of incest but this is just the most extreme aspect of Masao's nihilism and rejection of social norms. Whether this is mainly or totally as a result of parental expectations and pressure is moot, but the poisonous effect on everyone around him is well-explored, particularly on his buddhist monk friend and the poor houseboy.
A very interesting meditation on personal responsibility and the meaning of life.
(** I'm sure that the buried carp towards the end has great significance, for example...)
Most obviously, of course, there is the central matter of incest but this is just the most extreme aspect of Masao's nihilism and rejection of social norms. Whether this is mainly or totally as a result of parental expectations and pressure is moot, but the poisonous effect on everyone around him is well-explored, particularly on his buddhist monk friend and the poor houseboy.
A very interesting meditation on personal responsibility and the meaning of life.
(** I'm sure that the buried carp towards the end has great significance, for example...)