The first movie I watched just because I saw the close to 8 rating on this one and my OCD would kill me if I started a series with a sequel. Except that business with Star Wars. But that, that doesn't count.
I'm very glad I did. This isn't a spectacular horror movie, but then what even is? Worth asking. For me, the best horror is able to bring the scares without relying on kitsch like jump scares. And it isn't gratuitous with the violence, while not being afraid to use it either. But perhaps most importantly, it's gotta tell a good story. And the story established in both films is vague enough to be menacing, while pointed enough to establish itself as doing something new-while not even being very new.
HHD (someone's gotta coin the shorthand title after all) is a series that, so far, has taken the found footage and documentary narrative styles and performed them together in a remarkably smooth way. Seriously, as it starts you think, "Ah this is gonna get old." But by about midway, I found myself wondering, "Well if there was something like this in real life, wouldn't this be how it'd be delivered?" Don't get me wrong, it's not unique. But it's pulled off without it being clunky and dumb, which in this genre is itself unique enough.
What's more, often the independent productions either go too far into graphics and effects, which fail to make up for the hollowness of the rest and with they can ill afford anyways, resulting in a weird piece of uncanny valley with bad dialogue, or they sacrifice so much at the artsy fartsy altar that watching it feels like a Halloween TEDTalk by Philip Seymour Hoffman. I'd say not in a good way, but I don't think there is a good way.
In short, these folks have done a great job at just making a solid entry into a sorely unappreciated genre. And I look forward to the next entry, which is all but guaranteed following this second chapter.
Please, really please, don't sell out.
I'm very glad I did. This isn't a spectacular horror movie, but then what even is? Worth asking. For me, the best horror is able to bring the scares without relying on kitsch like jump scares. And it isn't gratuitous with the violence, while not being afraid to use it either. But perhaps most importantly, it's gotta tell a good story. And the story established in both films is vague enough to be menacing, while pointed enough to establish itself as doing something new-while not even being very new.
HHD (someone's gotta coin the shorthand title after all) is a series that, so far, has taken the found footage and documentary narrative styles and performed them together in a remarkably smooth way. Seriously, as it starts you think, "Ah this is gonna get old." But by about midway, I found myself wondering, "Well if there was something like this in real life, wouldn't this be how it'd be delivered?" Don't get me wrong, it's not unique. But it's pulled off without it being clunky and dumb, which in this genre is itself unique enough.
What's more, often the independent productions either go too far into graphics and effects, which fail to make up for the hollowness of the rest and with they can ill afford anyways, resulting in a weird piece of uncanny valley with bad dialogue, or they sacrifice so much at the artsy fartsy altar that watching it feels like a Halloween TEDTalk by Philip Seymour Hoffman. I'd say not in a good way, but I don't think there is a good way.
In short, these folks have done a great job at just making a solid entry into a sorely unappreciated genre. And I look forward to the next entry, which is all but guaranteed following this second chapter.
Please, really please, don't sell out.