"Elle est trop belle" is a romantic drama overflowing with a refined yet vulgar sensuality that is common in French films. Sexuality, lust, infidelity are the main themes of the film, and are lusciously exhibited on screen. Choice of music was excellent, with Schubert in the background providing beauty and consolation in midst of heightened drama. You have fancy dinners, spacious mansions and country homes. Certainly men of culture will appreciate this film.
Acting in scenes was mostly naturalistic and plain, though not completely without emotion. Overall tempo of the movie was slow and relaxed, taking plenty of time to establish scenes and characters. Sometimes even bordering on boredom. Focus was not purely based on intense emotions of infatuation and cliched notions of romanticism, but the human relationships between the characters.
The unoriginality of the subject matter and the lack of subversiveness in the message, however, dims the glow of its achievements. The sudden middle-life crisis and the marital unhappiness of a well-to-do middle class couple has been well documented in the history of film, and there have been better portrayals of it. The movie is heavy-handed with its message of internal and external beauty.
There might have been some critique of the boredom of the perfect bourgeoisie life, but it is soo brief, indirect and inconsequential you could easily miss it. It seems the down-to-earth nature and vividness of Colette is contrasted with the icy and cold demeanor of the proper Florence, and the white spacious family home with the small run-down motel.
In the end, the story felt quite simple and predictable, even cliched. While watching it for the first time was a pleasant experience, there is probably little one can gain from rewatching the film. Overall, it is a decent film, doing its job well, but nothing out of the ordinary. Though I do admire the movie in other respects, the script just doesn't make it.
Acting in scenes was mostly naturalistic and plain, though not completely without emotion. Overall tempo of the movie was slow and relaxed, taking plenty of time to establish scenes and characters. Sometimes even bordering on boredom. Focus was not purely based on intense emotions of infatuation and cliched notions of romanticism, but the human relationships between the characters.
The unoriginality of the subject matter and the lack of subversiveness in the message, however, dims the glow of its achievements. The sudden middle-life crisis and the marital unhappiness of a well-to-do middle class couple has been well documented in the history of film, and there have been better portrayals of it. The movie is heavy-handed with its message of internal and external beauty.
There might have been some critique of the boredom of the perfect bourgeoisie life, but it is soo brief, indirect and inconsequential you could easily miss it. It seems the down-to-earth nature and vividness of Colette is contrasted with the icy and cold demeanor of the proper Florence, and the white spacious family home with the small run-down motel.
In the end, the story felt quite simple and predictable, even cliched. While watching it for the first time was a pleasant experience, there is probably little one can gain from rewatching the film. Overall, it is a decent film, doing its job well, but nothing out of the ordinary. Though I do admire the movie in other respects, the script just doesn't make it.