10/10
A coming of Age film that every generation needs too see and understand
5 January 2023
In "Armageddon Time," people keep trying to wake up 11-year-old Paul Graff (a sensitive performance by Michael Banks Repeta). Paul is a slight, dreamy sixth grader in 1980 Queens, New York. Over the span of two months, from the first day of school until the family watches the returns of the Presidential election in November, we repeatedly see Paul in a deep sleep as various family members try to get him out of bed. His father, Irving (Jeremy Strong), dances in Paul's bedroom. His older brother Ted (Ryan Sell), jumps on his chest. His mother (Anne Hathaway) tells him to get ready for school. The sincerity and good intentions of the movie are palpable, as are its ambitions in bringing in the election of Ronald Reagan and the future prospect of Donald Trump as connected to the difficulties faced by Johnny and the challenges of being a mensch. The film creates a vivid and evocative sense of its time and place and many scenes, especially those with Repeta and Hopkins, are touching. Hathaway as the mother is affectionate, amused, and sometimes indulgent with Paul. The shift as she defends him to the principal and then once they are out of his office, when she can say what she really thinks, is one of the movie's best scenes. And she is deeply affecting when it is clear to us, if not to Paul, that she has had some very sad news. Most troubling is the script's failure to give us a fully realized, authentic character for Johnny. The movie is in large part an apology to Johnny and to all of the other kids like him who were not adequately cared for at home and who were constantly mistreated by all of the people and structures that should have been supporting them. It is heartbreaking to see Johnny insulted by his teacher and by older Black kids who scoff at him for dreaming of working for NASA. Why wouldn't he want to get as far away from this planet as he could? Webb is an affecting young performer, and he says a lot just with his eyes. His face lights up in those few moments when Johnny has a sense of hope and connection. But Johnny's character is underwritten, a collection of attributes more than a personality. He is not given the same interiority we see in other characters and that feels like just another way of letting him down.
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