Plot - The 3 hero buddies join a girl (Russell) and others, all determined to find her missing archaeoloist dad in a strange Indian land far from settler civilization.
The flick's a genuine oater oddity. The 3 Mesquiteers and their allies are arrayed against a mysterious rock skull and its hostile Indian cult, with hints of preternatural happenings surrounding the ugly skull. For example, there's the apparently dead Indian woman suddenly and jarringly coming to life. Now, oaters of old may not have been known for their realism, but here there's a strange air of an 'other world' that may be lurking behind the disappearance of the archaeologist.
And dig that spectacular Technicolor cliff-scape, whose jagged rocks the two warring sides climb, clamber, and fall from. It's a landscape from Mars and unlike the usual cowboy wilderness. Oddly, the effect is all from inspired location filming, with no studio backdrops in sight. And catch the many creative camera angles and set-ups that magnify the strange visual atmosphere.
There's also plenty of action that largely replaces the usual talk or character development; instead, it's the rocks and cliffs that get center stage. Then too, shouldn't overlook that big rock-slide near the end that still has me wondering how they did it, and in only an 8-day filming schedule. My only complaint is the apparent use of a trip-wire to bring down two horses head-over-heels and probably to their doom. Good thing the movie practice was soon outlawed.
I suspect the flick's been generally overlooked because of a strangeness that doesn't easily fit into the matinee cowboy genre. Now, I'm not saying the flick's a sleeper classic or hidden gem. Instead it's definitely a weird one-of-a-kind and should not be missed. So catch it if you can.
The flick's a genuine oater oddity. The 3 Mesquiteers and their allies are arrayed against a mysterious rock skull and its hostile Indian cult, with hints of preternatural happenings surrounding the ugly skull. For example, there's the apparently dead Indian woman suddenly and jarringly coming to life. Now, oaters of old may not have been known for their realism, but here there's a strange air of an 'other world' that may be lurking behind the disappearance of the archaeologist.
And dig that spectacular Technicolor cliff-scape, whose jagged rocks the two warring sides climb, clamber, and fall from. It's a landscape from Mars and unlike the usual cowboy wilderness. Oddly, the effect is all from inspired location filming, with no studio backdrops in sight. And catch the many creative camera angles and set-ups that magnify the strange visual atmosphere.
There's also plenty of action that largely replaces the usual talk or character development; instead, it's the rocks and cliffs that get center stage. Then too, shouldn't overlook that big rock-slide near the end that still has me wondering how they did it, and in only an 8-day filming schedule. My only complaint is the apparent use of a trip-wire to bring down two horses head-over-heels and probably to their doom. Good thing the movie practice was soon outlawed.
I suspect the flick's been generally overlooked because of a strangeness that doesn't easily fit into the matinee cowboy genre. Now, I'm not saying the flick's a sleeper classic or hidden gem. Instead it's definitely a weird one-of-a-kind and should not be missed. So catch it if you can.