The acting, the camera work and the editing are good, the music is very good, the script is tight and raw, and the concept (Apartheid-based racial horror) was very promising. Unfortunately the scenario does not take up, ill-served by a credible but unlikable main character, with whom the spectator struggles to identify. The end result is a fine piece of social observation sprinkled with fantastic elements that feel unecessary (the dog), or cheesy (hieroglyphics).
Review of Good Madam
