Shikara (2020)
8/10
Of Prosceniums and Boats
5 May 2022
Where shows have to be staged on stages the audience is as much troupe as props viewing affairs with detachment albeit as essential to tricks of commerce. The interpretations are deanatomized critically, the cast appraised also otherwise, the commerce documented in media, and the audience at it socially to keep the stock stock, the share share, and the price limited. With limits of trade thus prescribed hiding under nuances of history in the name of status-quo to keep the proscenium apart from what could be, what transpires to achieve the same effect on a boat by the stream to equate equations in business terms for those that understand nothing else while hidden from worldview for demands of the status-quo can only serve as legal compendiums of business when politics in business cannot save itself from the status-quo it must adhere to at all costs to keep business at bay until asked to pay the price.
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