John Ford continues to be flummoxed by early sound while Edmund Lowe is a sorry case for an Italian in this hackneyed mobster pic. Spitting one tough guy cliche after the next it fails to even approach the onslaught of classic gangster films (Little Caeser, Public Enemy, Scarface) with more convincing leads that would follow over the next year.
Louis Berretti (Lowe) is about to get sent up the river when a judge gives him an option to go to war instead, which he accepts. Upon return he goes straight and opens a club but his loyalty to his old pals remains and a spat between factions threatens to ruin his future.
As in his previous Black Watch, Ford seems confounded at getting anything but stilted performances out of his actors. The wooden Lowe is dreadfully miscast, looking more upscale financier than slum grown with the rest of the characters outside of a buoyant Lee Tracy not worth mentioning for their own good.
There are some tense moments and limp attempts at humor but Ford's ham fisted direction squanders them in this flaccid gangster pic devoid of the violent passion that would infuse the aforementioned films waiting in the wings.
Louis Berretti (Lowe) is about to get sent up the river when a judge gives him an option to go to war instead, which he accepts. Upon return he goes straight and opens a club but his loyalty to his old pals remains and a spat between factions threatens to ruin his future.
As in his previous Black Watch, Ford seems confounded at getting anything but stilted performances out of his actors. The wooden Lowe is dreadfully miscast, looking more upscale financier than slum grown with the rest of the characters outside of a buoyant Lee Tracy not worth mentioning for their own good.
There are some tense moments and limp attempts at humor but Ford's ham fisted direction squanders them in this flaccid gangster pic devoid of the violent passion that would infuse the aforementioned films waiting in the wings.