The complexity and richness of Quai des Orfèvres is not only due to its devious plot, nor to its characters, who are moving, nor to its remarkable direction or photography, nor to its powerful dialogues, but to the emotion that nails each stage and each character and that weaves an unprecedented tangle to create a true French crime thriller. A success that Allégret will take up in Manèges.
Review of Jenny Lamour
