Well this is an odd movie. Frank Langella and Faye Dunaway are names of no small renown, and given the sort of roles they're known for, it's hard to imagine them in pictures of any lesser quality. The premise of 'The deadly trap,' and the story as it unfolds, suggests a mildly disjointed narrative and uncertain truths as events unfold largely through Jill's perspective - a psychological thriller, to one extent or another. These are all positive indicators. However, it must be said that a drama attempting the angle that this does rather requires subtlety to bear fruit - and sadly, that is simply not the case here. The film is rendered with direly indelicate hands - blunt and direct, so bereft of tact as to come across as somewhat senselessly melodramatic. Frankly, this bears the air of a made-for-TV movie of the most gauche variety - and if that's not an unseemly portent, I don't know what is.
I claim no familiarity with the source material. I'm not entirely sure if the novel is more of an issue here, or the adapted screenplay, or René Clément's direction, but in almost every way there's a brutish inelegance present that severely dampens what enjoyment there is to be had. Sequencing and otherwise editing is curt, rough, and has the appearance of disorder. So it is as well for brusque dialogue, characters that don't seem fully developed, pointedly inelegant scene writing, and a plot that for all of the astounding heavy-handedness feels very forced. I would like to think that the feature was crafted so meticulously that every seeming fault was a conscious decision to echo and emphasize Jill's fractured mindset. Yet so much about 'The deadly trap' feels coarse and unpolished such that I have difficulty believing the same individuals that so crudely built the structure could have also purposefully filled it with more underhandedly refined detail. Those flaws come across, after all, as simply just flaws.
Langella and Dunaway have definitely proven themselves elsewhere, so I distinctly believe the writing and direction can be held responsible for coercing them and their fellow cast members into performances that are sorely lacking of subtlety or finesse. The very orchestration of every scene is marked with a pained sense of artifice on account of all the blemishes. Even the antagonists are left unnamed and ill-defined, a shadow of a shadow - a boogeyman of unseen power and influence. There are, most assuredly, some good ideas here, and for that I quite want to like this more than I do. Yet so poorly has the production been managed that the picture fails to have any impact, any real emotional heft or expected thrills. It's just unconvincing. It's unfortunate - this could have been good. I think it was rather close to being good. But ''The deadly trap' is middling as it presents, and teeters into a display of ham-handedness.
Alas. There are worse movies you could watch, by all means. Maybe viewers who are especial fans of someone in the cast will find this suitable enough - and generally speaking, everyone has their own opinion. But I regret to say I think this is too much of a mess to broadly recommend, and though it's not all bad, there's just no reason to go out of your way for it.
I claim no familiarity with the source material. I'm not entirely sure if the novel is more of an issue here, or the adapted screenplay, or René Clément's direction, but in almost every way there's a brutish inelegance present that severely dampens what enjoyment there is to be had. Sequencing and otherwise editing is curt, rough, and has the appearance of disorder. So it is as well for brusque dialogue, characters that don't seem fully developed, pointedly inelegant scene writing, and a plot that for all of the astounding heavy-handedness feels very forced. I would like to think that the feature was crafted so meticulously that every seeming fault was a conscious decision to echo and emphasize Jill's fractured mindset. Yet so much about 'The deadly trap' feels coarse and unpolished such that I have difficulty believing the same individuals that so crudely built the structure could have also purposefully filled it with more underhandedly refined detail. Those flaws come across, after all, as simply just flaws.
Langella and Dunaway have definitely proven themselves elsewhere, so I distinctly believe the writing and direction can be held responsible for coercing them and their fellow cast members into performances that are sorely lacking of subtlety or finesse. The very orchestration of every scene is marked with a pained sense of artifice on account of all the blemishes. Even the antagonists are left unnamed and ill-defined, a shadow of a shadow - a boogeyman of unseen power and influence. There are, most assuredly, some good ideas here, and for that I quite want to like this more than I do. Yet so poorly has the production been managed that the picture fails to have any impact, any real emotional heft or expected thrills. It's just unconvincing. It's unfortunate - this could have been good. I think it was rather close to being good. But ''The deadly trap' is middling as it presents, and teeters into a display of ham-handedness.
Alas. There are worse movies you could watch, by all means. Maybe viewers who are especial fans of someone in the cast will find this suitable enough - and generally speaking, everyone has their own opinion. But I regret to say I think this is too much of a mess to broadly recommend, and though it's not all bad, there's just no reason to go out of your way for it.