Muqaddar Ka Sikandar review :
Prakash Mehra's interpretation of the classic 'Devdas'; Muqaddar Ka Sikandar was an intense love saga where each of its key characters is madly in love with someone who doesn't love him or her.
Amitabh Bachchan loves Rakhee Rakhee loves Vinod Khanna Rekha loves Amitabh Amjad Khan loves Rekha.
Mehra's execution was extraordinary as he beautifully blended the hearttouching characters with superlative songs.
"Rote hue aate hai sab Hastaa hua jo jaayegaa Woh Muqaddar Ka Sikandar Jaaneman kehlayega" sings Amitabh racing down Marine Drive in Mumbai on his bike setting the tone of the film.
"O saathi re" and "Pyaar zindagi hai" are ever memorable tracks while Rekha's mujra number "Salaam-e- ishq" has attained cult status today.
Muqaddar Ka Sikandar is as much Amitabh's film as it is Mehra's. The superhit actor-director jodi had truly reached a creative crescendo with this venture. I simply love Amitabh's expressions while seeing his love Rakhee dancing with Vinod Khanna in the "Pyaar Zindagi" song. Admittedly, Vinod Khanna was a formidable angle to this love quadrangle and he impressed me with his swag even in a somewhat underwritten role. Trust me, any other actor wouldve fallen flat in this role and it is to the credit of Khanna that he could stand strong in front of the unbeatable Amitabh. Rekha looks alluring as the kind hearted courtesan and this is one of the finest performances of her illustrious career.
Amjad Khan, as Dilawar, was another brilliant character and his climactic encounter with Amitabh is a major highlight of the movie. Both are fighting for their love willing to risk their life for it...Super!!
Rightfully, Muqaddar Ka Sikandar, a 1978 Diwali release, took the biggest opening in history of Bollywood. It remains the biggest hits of that year and one of the top grossers of the '70s decade. Many films tried to replicate this theme later including Sajid Nadiadwala's Jeet (1996) but Sikandar remains special. And immortal like the great Alexander from whom its draws its name!!
Regards, Sumeet Nadkarni.
Prakash Mehra's interpretation of the classic 'Devdas'; Muqaddar Ka Sikandar was an intense love saga where each of its key characters is madly in love with someone who doesn't love him or her.
Amitabh Bachchan loves Rakhee Rakhee loves Vinod Khanna Rekha loves Amitabh Amjad Khan loves Rekha.
Mehra's execution was extraordinary as he beautifully blended the hearttouching characters with superlative songs.
"Rote hue aate hai sab Hastaa hua jo jaayegaa Woh Muqaddar Ka Sikandar Jaaneman kehlayega" sings Amitabh racing down Marine Drive in Mumbai on his bike setting the tone of the film.
"O saathi re" and "Pyaar zindagi hai" are ever memorable tracks while Rekha's mujra number "Salaam-e- ishq" has attained cult status today.
Muqaddar Ka Sikandar is as much Amitabh's film as it is Mehra's. The superhit actor-director jodi had truly reached a creative crescendo with this venture. I simply love Amitabh's expressions while seeing his love Rakhee dancing with Vinod Khanna in the "Pyaar Zindagi" song. Admittedly, Vinod Khanna was a formidable angle to this love quadrangle and he impressed me with his swag even in a somewhat underwritten role. Trust me, any other actor wouldve fallen flat in this role and it is to the credit of Khanna that he could stand strong in front of the unbeatable Amitabh. Rekha looks alluring as the kind hearted courtesan and this is one of the finest performances of her illustrious career.
Amjad Khan, as Dilawar, was another brilliant character and his climactic encounter with Amitabh is a major highlight of the movie. Both are fighting for their love willing to risk their life for it...Super!!
Rightfully, Muqaddar Ka Sikandar, a 1978 Diwali release, took the biggest opening in history of Bollywood. It remains the biggest hits of that year and one of the top grossers of the '70s decade. Many films tried to replicate this theme later including Sajid Nadiadwala's Jeet (1996) but Sikandar remains special. And immortal like the great Alexander from whom its draws its name!!
Regards, Sumeet Nadkarni.