Review of Tenet

Tenet (2020)
3/10
Limitations to the Willing suspension of disbelief
2 October 2021
Like King Midas in Greek mythology, Christopher Nolan has earned a reputation for turning everything he touches into gold, even when he tackles those convoluted subjects he's so fond of (Inception, Interstellar). Unfortunately even geniuses can sometimes go into pieces... Tenet is made up to divide. I, for certain, assume a clear-cut judgment: this film is abstruse, sterile, pretentious. Alas, a complete wreck.

Nolan like a dream factory. And the dream factory gives birth to a two and a half hour blockbuster... that falls apart within the first hour. Cruel. On reflection, it is perhaps due to its long gestation (20 years) that might explain the failure of the film. Immersed in his research on the inversion of entropy (don't ask me to explain what it means), the filmmaker ended up losing sight of the fact that a film is no PhD in physics.

Tenet is not a failure because its story is complex. It is a failure because the filmmaker does not want us to understand it - if that was possible. Due to a lack of basic information and knowledges, we are not capable of investing ourselves because nothing encourages us to do so: neither the characters, nor the interpretation (excepting the brilliant Robert Pattinson), nor even the so confusing action. Let's concede that the film is nervous, its aestetics is amazing, which allows us to stay awake during the two and a half hours of projection.

If Tenet is the Nolan's James Bond, then, good Lord, in your infinite goodness, please don't let Christopher ever have access to this franchise. He would be able to play the famous Monty Norman theme backwards.
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