This film is individual enough that it's easy to overlook it's being one of a series of similar stories: The Way We Live Now (based on a real figure), The Great Gatsby, Madoff. Unlike the first and last, but somewhat like Gatsby, this film makes the central character likeable, largely by emphasizing the ambiant anti-Semitism that surrounds him (and of course by casting Belmondo in the role). This theme gives more meaning to the curious character of a German Jewish woman, who plays no obvious role in Stavisky's life, but who might be viewed as his direct opposite in a number of ways, not least her proudly proclaiming her origins. The story itself is fairly episodic, showing specific situations and outcomes, but without really making them interact in a way that drives them forward. They just take their expected place in the sequence. The main reasons to watch this film are the actors, including not only an aging Charles Boyer and a young Depardieu, but a host of actors whose careers only grew from there. Certainly, if you're a fan of beautiful cars and beautiful women in beautiful clothes, especially in the Thirties, the visual beauty of this film is also a major reason to watch it.
Stavisky
(1974)
Beyond Belmondo, some of the finest French actors and great visuals
12 September 2021