Tex Avery bends reality in all the wacky things these TV's of the future can do, but he sure gets the growing obsession with screens right, then and now. Mixed in is a little sex (the set with the plunging neckline, the model across two screens so you can see "all" of the picture) and violence (the set that shoots the annoying know-it-all who thinks he can tune it better than you), but mostly it's just silly gags (the set that acts as a fourth in bridge). I wonder what Tex would cook up for the phones of tomorrow.