This film was a lot better than I thought it was going to be and a lot better than its given credit for in my opinion. After leaving the Bond franchise after only one movie (1) George Lazenby was looking for a project that had personal meaning for him, rather than just a paycheque. It was the late 60s early '70s and he was sincerely inspired by the "make love not war" sentiment which defined those times for many. Enough to put his career on the line in order to try and get this message across. His comments at the time indicate that he put his heart and soul into it, but, for whatever reason, the movie critics and the ticket buying public remained unmoved. Looking back, a disheartened and disillusioned Lazenby has been dismissive and disparaging about the project, but I see it as, if not a great movie, at least a very worthy attempt to making one.
Cy Enfield does a good job of directing, in the less stage-bound, semi documentary style of the 60s and 70s, when outdoor shooting became much more common, finding plenty of interesting and imaginative camera angles. I didn't find the plot at all hard to follow, the dialogue is spare, containing little in the way of exposition, and the story is often advanced via musical montage sequences, which I'm not always a fan of, but in this case worked well enough. I particularly enjoyed the music, by a fellow called Phillip Goodhand-Tait, a talented songwriter in his own right who has released numerous albums and been covered by several well-known artists, which I found was nicely representative of the "Hairy rock" sound of those times. Lazenby's own performance is very good, understated and natural, as are those of the other performers involved (including the infamous Germaine Greer and also Lazenby's future wife in real life, who plays his girlfriend in the movie).
The Story is about a former mercenary who has tried to retire, but is reluctantly drawn back into "the life" as he is running out of money. His heart is not in it and, part way through, an unfortunate incident triggers him to abruptly abandon his involvement without completing his contract. He finds comfort among the more bohemian elements of London and hopes to live quietly among them, learning yoga and searching for spiritual peace. However his former associates and employers have other ideas and he is forced into taking counter measures. I won't say any more in order not to spoil it for anyone planning to watch the film.
(1) Re the Bond franchise, did he jump or was he pushed? We will never know for sure, as Bond management always prefer to allow the actors to say they chose to leave, in order to make the legacy seem warm and fuzzy rather than cold and calculating. The decisions a result of artistic differences, rather than driven by economically realities, and all good friends again now, with a vested interest in the continued good health of the franchise.
Cy Enfield does a good job of directing, in the less stage-bound, semi documentary style of the 60s and 70s, when outdoor shooting became much more common, finding plenty of interesting and imaginative camera angles. I didn't find the plot at all hard to follow, the dialogue is spare, containing little in the way of exposition, and the story is often advanced via musical montage sequences, which I'm not always a fan of, but in this case worked well enough. I particularly enjoyed the music, by a fellow called Phillip Goodhand-Tait, a talented songwriter in his own right who has released numerous albums and been covered by several well-known artists, which I found was nicely representative of the "Hairy rock" sound of those times. Lazenby's own performance is very good, understated and natural, as are those of the other performers involved (including the infamous Germaine Greer and also Lazenby's future wife in real life, who plays his girlfriend in the movie).
The Story is about a former mercenary who has tried to retire, but is reluctantly drawn back into "the life" as he is running out of money. His heart is not in it and, part way through, an unfortunate incident triggers him to abruptly abandon his involvement without completing his contract. He finds comfort among the more bohemian elements of London and hopes to live quietly among them, learning yoga and searching for spiritual peace. However his former associates and employers have other ideas and he is forced into taking counter measures. I won't say any more in order not to spoil it for anyone planning to watch the film.
(1) Re the Bond franchise, did he jump or was he pushed? We will never know for sure, as Bond management always prefer to allow the actors to say they chose to leave, in order to make the legacy seem warm and fuzzy rather than cold and calculating. The decisions a result of artistic differences, rather than driven by economically realities, and all good friends again now, with a vested interest in the continued good health of the franchise.